Sur des themes de Paganini. Composed by Franz Liszt. EMB Liszt Works. Book Only. Composed 1990. 44 pages. Editio Musica Budapest #EMBZ13730. Published by Editio Musica Budapest (PR.EMB13730).
English-German-Hungarian.
Liszt composed three piano works on Paganini's bell theme. The best known of these works is La Campanella (1851). The Clochette fantasia, that is the Grande Fantaisie de bravoure sur la Clochette de Paganini (1831-1834) as well as the early version of the F sharp minor study, the Campanella (1838) in A flat minor are much less played. Liszt composed a fourth piano work on the campanelle theme. Similar to the preceding it is a series of variations. The second theme is also taken from Paganini: it is the theme of a variation series known with the title The Carnival in Venice.
Der hier vorgelegten Edition liegt das Autograph Liszts zugrunde, das im Goethe- und Schiller-Archiv, Weimar unter der Signatur Ms I 44 aufbewahrt wird. Das Werk hat keine Inschrift. Unter dem letzten Takt (498) steht das autographe Datum Lisbonne / 2 Février ohne Jahreszahl. Sie soll aller Wahrscheinlichkeit nach 1845 sein, da sich Liszt nur ein einziges Mal, nämlich in diesem Jahr Portugal aufhielt.
Sur des themes de Paganini. Composed by Franz Liszt. EMB Liszt Works. Book Only. Composed 1990. 44 pages. Editio Musica Budapest #EMBZ13730. Published by Editio Musica Budapest (PR.EMB13730).
English-German-Hungarian.
Liszt composed three piano works on Paganini's bell theme. The best known of these works is La Campanella (1851). The Clochette fantasia, that is the Grande Fantaisie de bravoure sur la Clochette de Paganini (1831-1834) as well as the early version of the F sharp minor study, the Campanella (1838) in A flat minor are much less played. Liszt composed a fourth piano work on the campanelle theme. Similar to the preceding it is a series of variations. The second theme is also taken from Paganini: it is the theme of a variation series known with the title The Carnival in Venice.
Der hier vorgelegten Edition liegt das Autograph Liszts zugrunde, das im Goethe- und Schiller-Archiv, Weimar unter der Signatur Ms I 44 aufbewahrt wird. Das Werk hat keine Inschrift. Unter dem letzten Takt (498) steht das autographe Datum Lisbonne / 2 Février ohne Jahreszahl. Sie soll aller Wahrscheinlichkeit nach 1845 sein, da sich Liszt nur ein einziges Mal, nämlich in diesem Jahr Portugal aufhielt.
Preview: Variations de bravoure op. Post. Sur des themes d
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