Composed by Max Reger. Edited by Knud Breyer; Stefan König. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Full score (complete edition / selected edition). Carus Verlag #CV 52.810/00. Published by Carus Verlag (CA.5281000).
ISBN 9783899484328. 10 x 12 inches.
The third volume in the Songs and Choral Works Series of the Reger Complete Works (RWA) contains the songs Max Reger composed (almost entirely in Munich) between 1901 and February 1903. With these compositions, Reger not only entered into direct competition with the so-called "Munich School" around Ludwig Thuille, Max von Schillings, and Richard Strauss, but also attempted to establish himself more widely as an uncompromising renewer of the genre. The songs contrast with the Romantic song aesthetic through their forward-looking declamatory style and they display a treatment of the piano which goes far beyond conventional song accompaniment.
In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
The digital offer belonging to the volume is published in an online portal.
Composed by Max Reger. Edited by Knud Breyer; Stefan König. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Full score (complete edition / selected edition). Carus Verlag #CV 52.810/00. Published by Carus Verlag (CA.5281000).
ISBN 9783899484328. 10 x 12 inches.
The third volume in the Songs and Choral Works Series of the Reger Complete Works (RWA) contains the songs Max Reger composed (almost entirely in Munich) between 1901 and February 1903. With these compositions, Reger not only entered into direct competition with the so-called "Munich School" around Ludwig Thuille, Max von Schillings, and Richard Strauss, but also attempted to establish himself more widely as an uncompromising renewer of the genre. The songs contrast with the Romantic song aesthetic through their forward-looking declamatory style and they display a treatment of the piano which goes far beyond conventional song accompaniment.
In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
The digital offer belonging to the volume is published in an online portal.
Preview: Reger-Werkausgabe, Vol. II/3: Songs III (1901–1903)
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