19961892
Danses B
19961892
19961892
19961892
Copyright Material for Preview Only - Sheet Music Plus
Piano - Level 3
SKU: FV.FUE-10097
Composed by Melanie (Mel) Bonis. Series: OEuvres pour piano/Klaviermusik/Piano Music Volume 10. 19/20th century. Score. With modern typesetting. Furore Verlag #FUE 10097. Published by Furore Verlag (FV.FUE-10097).
ISBN 979-0-50182-097-9.
The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. It seems that so she prepared the soil for the growth of something new. In fact her contribution to the development of french impressionism is significant.
The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. It seems that so she prepared the soil for the growth of something new. In fact her contribution to the development of french impressionism is significant.
Piano - Level 3
SKU: FV.FUE-10097
Composed by Melanie (Mel) Bonis. Series: OEuvres pour piano/Klaviermusik/Piano Music Volume 10. 19/20th century. Score. With modern typesetting. Furore Verlag #FUE 10097. Published by Furore Verlag (FV.FUE-10097).
ISBN 979-0-50182-097-9.
The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. It seems that so she prepared the soil for the growth of something new. In fact her contribution to the development of french impressionism is significant.
The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. It seems that so she prepared the soil for the growth of something new. In fact her contribution to the development of french impressionism is significant.
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