5526986
Which Was The Son Of ...
5526986
5526986
5526986
Copyright Material for Preview Only - Sheet Music Plus
Choral SATB Choir
SKU: PR.UE031507
Composed by Arvo Part. Bible, St Luke 3, 23-38. In Hallgrimskirkja Cathedral Reykjavik / Iceland by the Voices of Europe 2000 conducted by Thorgerdur Ing?lfsd?ttir. Part. With Standard notation. Composed 2000. Duration 0:07:00. Universal Edition #UE031507. Published by Universal Edition (PR.UE031507).
ISBN 9783702416188. UPC: 803452013457. Bible, St Luke 3, 23–38.
In which Was the Son of... for mixed a cappella-choir Arvo Part uses the Genealogy of Jesus in accordance with the Gospel of Luke. (St Luke 3, 23 -28). While the Magnificat from Luke Chapter I - the Song of Mary - and the Nunc dimittis from Luke Chapter 2 - the Song of Simeon - are obviously set-able texts for a composer, the same cannot necessarily be said of Luke's Genealogy of Jesus in the following chapter. To some composers indeed, this long list of names might seem no more enticing to set than the proverbial telephone directory. For Part, however, it was more than just a technical challenge or the possibility of ritual-like musical repetition. The attraction to this text (in its 'traditional and authoritative' translation, according to Part) came bound up with the nature of the commission itself- the singers the piece was for and the country it was premiered in. (Meurig Bowen).
Choral SATB Choir
SKU: PR.UE031507
Composed by Arvo Part. Bible, St Luke 3, 23-38. In Hallgrimskirkja Cathedral Reykjavik / Iceland by the Voices of Europe 2000 conducted by Thorgerdur Ing?lfsd?ttir. Part. With Standard notation. Composed 2000. Duration 0:07:00. Universal Edition #UE031507. Published by Universal Edition (PR.UE031507).
ISBN 9783702416188. UPC: 803452013457. Bible, St Luke 3, 23–38.
In which Was the Son of... for mixed a cappella-choir Arvo Part uses the Genealogy of Jesus in accordance with the Gospel of Luke. (St Luke 3, 23 -28). While the Magnificat from Luke Chapter I - the Song of Mary - and the Nunc dimittis from Luke Chapter 2 - the Song of Simeon - are obviously set-able texts for a composer, the same cannot necessarily be said of Luke's Genealogy of Jesus in the following chapter. To some composers indeed, this long list of names might seem no more enticing to set than the proverbial telephone directory. For Part, however, it was more than just a technical challenge or the possibility of ritual-like musical repetition. The attraction to this text (in its 'traditional and authoritative' translation, according to Part) came bound up with the nature of the commission itself- the singers the piece was for and the country it was premiered in. (Meurig Bowen).
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