Wessen Klänge? Über Autorschaft in neuer Musik Vol. 12
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20910263
20910263
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Wessen Klänge? Über Autorschaft in neuer Musik Vol. 12
Internationales Symposion der Paul Sacher Stiftung, Basel, 27.-19. April 2011 School and Community - Sheet Music
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Internationales Symposion der Paul Sacher Stiftung, Basel, 27.-19. April 2011. Edited by Hermann Danuser and Matthias Kassel. This edition: Hardback/Hardcover. Book. 272 pages. Paul Sacher Stiftung #PSB 1018. Published by Paul Sacher Stiftung (M7.PSB-1018).
ISBN 9783795711733. German.
The volume goes back to the eponymous symposium organized by the Paul Sacher Foundation in Basle in April 2011. In eleven lectures and three conversations the subjects Interpretation and Authorship in Music were looked at from various angles while focussing particularly on developments after the Second World War. Apart from the different text and authorship dimensions between composition and interpretation, the articles also bring up media-related and performative extensions of music including entirely new kinds of authorship concepts and problems.
Internationales Symposion der Paul Sacher Stiftung, Basel, 27.-19. April 2011. Edited by Hermann Danuser and Matthias Kassel. This edition: Hardback/Hardcover. Book. 272 pages. Paul Sacher Stiftung #PSB 1018. Published by Paul Sacher Stiftung (M7.PSB-1018).
ISBN 9783795711733. German.
The volume goes back to the eponymous symposium organized by the Paul Sacher Foundation in Basle in April 2011. In eleven lectures and three conversations the subjects Interpretation and Authorship in Music were looked at from various angles while focussing particularly on developments after the Second World War. Apart from the different text and authorship dimensions between composition and interpretation, the articles also bring up media-related and performative extensions of music including entirely new kinds of authorship concepts and problems.
Grundlegung: Interpretation und Performanz
H.-J. Hinrichsen: Wer ist der Autor?
S. Mauser: Synchrone Vielfalt
A.I. de Benedictis: Auktoriale versus freie Auffuhrungstradition
C. Bork: Multiple Autorschaft
Offnungen: Medialitat und Technologie: G. Boehm: Visuell-akustische Arbeit
T. Plebuch: Playing Video on a violin
M. Katz: Autorschaft im Zeitalter konfigurierbarer Musik
S. Obert: Bittersusse Zuschreibungen
Fallstudien: Blicke aufs Streichquartett: R. Piencikowski: Vom Ent-Binden des Streichquartetts, oder: Wie das Quatuor zum Livre wird
U. Mosch: Was heisst Interpretation bei H. Lachenmanns Streichquartett Gran Torso
H. Zimmermann: As they spke, so I wrote
Gesprache: Der Komponist als Interpret, der Interpret als Komponist
Die Erstfassung von M. Kagels Zwei-Mann-Orchester
Streit um Autorschaft, ein Podiumsgesprach
Dokumentation Konzertprogramme
Register der Namen und Werke
Preview: Wessen Klänge? Über Autorschaft in neuer Musik Vol. 12
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