20065156
Swedish Dances
20065156
20065156
20065156
Copyright Material for Preview Only - Sheet Music Plus
2fl. Pft. - Intermediate-Advanced
SKU: FT.FM393
Composed by Max Bruch. Arranged by Robert Rainford. Two Flutes and Piano. Score and Parts. Forton Music #FM393. Published by Forton Music (FT.FM393).
ISBN 9790570482924.
Two Flutes and Piano - These dances were first published in 1892 for violin and piano, although Bruch later arranged them for solo piano, and also for orchestra. The slow, stately introduction leads in to seven dances in volume one, each a charming character study. Individual movements are dramatic, then tranquil; dance-like then reflective. The third, fifth and seventh movements have the feeling of folk-dances, while the others are more lyrical and expressive. Structurally the pieces are fairly simple, with melody sections flowing in to each other. Some ideas are developed into links and codas. In this arrangement, both players share the melodic material fairly evenly. Each has a solo movement to play, with the other movements featuring call and answer moments, harmony sections and contrapuntal elements to enjoy. Technically quite advanced, with the first flute covering the whole range of the instrument, these gems of pieces are well worth working on.
2fl. Pft. - Intermediate-Advanced
SKU: FT.FM393
Composed by Max Bruch. Arranged by Robert Rainford. Two Flutes and Piano. Score and Parts. Forton Music #FM393. Published by Forton Music (FT.FM393).
ISBN 9790570482924.
Two Flutes and Piano - These dances were first published in 1892 for violin and piano, although Bruch later arranged them for solo piano, and also for orchestra. The slow, stately introduction leads in to seven dances in volume one, each a charming character study. Individual movements are dramatic, then tranquil; dance-like then reflective. The third, fifth and seventh movements have the feeling of folk-dances, while the others are more lyrical and expressive. Structurally the pieces are fairly simple, with melody sections flowing in to each other. Some ideas are developed into links and codas. In this arrangement, both players share the melodic material fairly evenly. Each has a solo movement to play, with the other movements featuring call and answer moments, harmony sections and contrapuntal elements to enjoy. Technically quite advanced, with the first flute covering the whole range of the instrument, these gems of pieces are well worth working on.
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