23629835
Six trio sonatas
23629835
23629835
23629835
Copyright Material for Preview Only - Sheet Music Plus
Two violins and basso continuo
SKU: HH.HH652-FSP
Composed by Sebastian Bodinus. Edited by Michael Elphinstone. Score and part. Duration c.35:00. Edition HH Music Publishers #HH652-FSP. Published by Edition HH Music Publishers (HH.HH652-FSP).
ISBN 9790708213666. 8.27 x 11.69 inches.
Part I of the Musicalischen Divertissiments (1726) contains six highly original trio sonatas for two violins and basso continuo which, in spite of their scoring, owe less to Corelli than to Bodinus’ German contemporaries, notably Molter and Telemann. With their predilection for several dance forms, in particular the menuet, bourrée and siciliana, and their inclusion of imitative ‘fuga’ movements, these sonatas not only provide an introduction to Bodinus’ style but also anticipate the music to be found in the following five parts of the collection. They furthermore contain several surprises, not the least of which is possibly the earliest documented example of notated polymeter — a passage in which the individual parts bear different time signatures — in published Western music!
Two violins and basso continuo
SKU: HH.HH652-FSP
Composed by Sebastian Bodinus. Edited by Michael Elphinstone. Score and part. Duration c.35:00. Edition HH Music Publishers #HH652-FSP. Published by Edition HH Music Publishers (HH.HH652-FSP).
ISBN 9790708213666. 8.27 x 11.69 inches.
Part I of the Musicalischen Divertissiments (1726) contains six highly original trio sonatas for two violins and basso continuo which, in spite of their scoring, owe less to Corelli than to Bodinus’ German contemporaries, notably Molter and Telemann. With their predilection for several dance forms, in particular the menuet, bourrée and siciliana, and their inclusion of imitative ‘fuga’ movements, these sonatas not only provide an introduction to Bodinus’ style but also anticipate the music to be found in the following five parts of the collection. They furthermore contain several surprises, not the least of which is possibly the earliest documented example of notated polymeter — a passage in which the individual parts bear different time signatures — in published Western music!
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