23163582
Three quartet sonatas
23163582
23163582
23163582
Copyright Material for Preview Only - Sheet Music Plus
Flute, Violin, (Viola, Horn) & Basso Continuo
SKU: HH.HH639-FSP
Composed by Sebastian Bodinus. Edited by Michael Elphinstone. Full score and parts. Duration c.45:00. Edition HH Music Publishers #HH639-FSP. Published by Edition HH Music Publishers (HH.HH639-FSP).
ISBN 9790708213536. 8.27 x 11.69 inches.
Like Part V of the Musicalischen Divertissiments, Part VI comprises three quartet sonatas or ‘quadri’ that are scored for transverse flute, violin, basso continuo and a third treble instrument that differs for each work: Sonata No. 1 features a second flute, Sonata No. 2 the viola, and Sonata No. 3 the horn. These very fine compositions are without doubt some of the earliest published ‘quadri’ — they may even anticipate Telemann’s famous Quadri (1730) for flute, violin, viola da gamba / cello and continuo. They are also Sonaten auf Concertenart, that is to say they incorporate features of the concerto genre, including the fast-slow-fast movement scheme, ritornello form in the first movement, and ‘solo’ episodes. Owing to the scarcity of existing copies of these works, they are almost completely unknown today; it is hoped that this first modern edition will lead to them receiving the recognition they deserve.
Flute, Violin, (Viola, Horn) & Basso Continuo
SKU: HH.HH639-FSP
Composed by Sebastian Bodinus. Edited by Michael Elphinstone. Full score and parts. Duration c.45:00. Edition HH Music Publishers #HH639-FSP. Published by Edition HH Music Publishers (HH.HH639-FSP).
ISBN 9790708213536. 8.27 x 11.69 inches.
Like Part V of the Musicalischen Divertissiments, Part VI comprises three quartet sonatas or ‘quadri’ that are scored for transverse flute, violin, basso continuo and a third treble instrument that differs for each work: Sonata No. 1 features a second flute, Sonata No. 2 the viola, and Sonata No. 3 the horn. These very fine compositions are without doubt some of the earliest published ‘quadri’ — they may even anticipate Telemann’s famous Quadri (1730) for flute, violin, viola da gamba / cello and continuo. They are also Sonaten auf Concertenart, that is to say they incorporate features of the concerto genre, including the fast-slow-fast movement scheme, ritornello form in the first movement, and ‘solo’ episodes. Owing to the scarcity of existing copies of these works, they are almost completely unknown today; it is hoped that this first modern edition will lead to them receiving the recognition they deserve.
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