22945059
Six sonatas
22945059
22945059
22945059
Copyright Material for Preview Only - Sheet Music Plus
Flute, violin and basso continuo
SKU: HH.HH622-FSP
Composed by Sebastian Bodinus. Edited by Michael Elphinstone. Full score and parts. Duration c.48:00. Edition HH Music Publishers #HH622-FSP. Published by Edition HH Music Publishers (HH.HH622-FSP).
ISBN 9790708213369. 8.27 x 11.69 inches.
Part II of the Musicalischen Divertissiments (1727) contains six sonatas for transverse flute, violin and basso continuo, all of them Sonaten auf Concertenart, that is to say they incorporate features of the concerto genre, including the fast-slow-fast movement scheme, ritornello form in the first movement, and ‘solo’ episodes. They are dedicated to Crown Prince Friedrich Ludwig, duke of Württemburg, who was an avid flautist and recorder player. But while the ‘solos’ tend to favour the flute. the demands made of the flautist are limited, perhaps an indication of Friedrich Ludwig’s technical abilities. Whatever the case, these interesting and very appealing works are accessible to amateur musicians. Like several chamber concertos by Vivaldi, Telemann and Boismortier, they offer players of the flute and the violin the opportunity to perform ‘concertos’ without having to organise an accompanying orchestra!.
Flute, violin and basso continuo
SKU: HH.HH622-FSP
Composed by Sebastian Bodinus. Edited by Michael Elphinstone. Full score and parts. Duration c.48:00. Edition HH Music Publishers #HH622-FSP. Published by Edition HH Music Publishers (HH.HH622-FSP).
ISBN 9790708213369. 8.27 x 11.69 inches.
Part II of the Musicalischen Divertissiments (1727) contains six sonatas for transverse flute, violin and basso continuo, all of them Sonaten auf Concertenart, that is to say they incorporate features of the concerto genre, including the fast-slow-fast movement scheme, ritornello form in the first movement, and ‘solo’ episodes. They are dedicated to Crown Prince Friedrich Ludwig, duke of Württemburg, who was an avid flautist and recorder player. But while the ‘solos’ tend to favour the flute. the demands made of the flautist are limited, perhaps an indication of Friedrich Ludwig’s technical abilities. Whatever the case, these interesting and very appealing works are accessible to amateur musicians. Like several chamber concertos by Vivaldi, Telemann and Boismortier, they offer players of the flute and the violin the opportunity to perform ‘concertos’ without having to organise an accompanying orchestra!.
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