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2 copies needed for performance. Composed by Wolfgang Amadeus Mozart. Edited by Cliff Eisen. Henle Music Folios. Classical. Softcover. 74 pages. G. Henle #HN1240. Published by G. Henle (HL.51481240).
UPC: 196288033547. 9.25x12.25x0.255 inches.
Composed at the end of 1785, Mozart's Piano Concerto in E-flat major forms a triumvirate with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart's use of clarinets in the orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. In addition to the study edition of this concerto, undeservedly overshadowed by its famous siblings, we are issuing the piano reduction, with cadenzas and fingerings by the magnificent Swiss pianist Alexander Lonquich.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
2 copies needed for performance. Composed by Wolfgang Amadeus Mozart. Edited by Cliff Eisen. Henle Music Folios. Classical. Softcover. 74 pages. G. Henle #HN1240. Published by G. Henle (HL.51481240).
UPC: 196288033547. 9.25x12.25x0.255 inches.
Composed at the end of 1785, Mozart's Piano Concerto in E-flat major forms a triumvirate with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart's use of clarinets in the orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. In addition to the study edition of this concerto, undeservedly overshadowed by its famous siblings, we are issuing the piano reduction, with cadenzas and fingerings by the magnificent Swiss pianist Alexander Lonquich.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Piano Concerto No. 22 in E-flat, K. 482
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