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Three Pieces for Bassoon and Piano. Composed by Graham Sheen. Wind & brass music. Mr Sheen's Miscellany. Educational. Clifton Edition #C182. Published by Clifton Edition (ST.C182).
ISBN 9790570811823.
Contents
Bodhán The melody here is very broken up, so breathe and be ready for the next entry in good time. Don’t drag behind the “drum” in the piano part. Notice that only some of the notes are marked staccato. À la Modal Modes are scales based on the white notes of the piano, say, so you won’t find a single accidental in this piece. It shows that expression in music depends on more than just the dynamics, that is, how loudly and softly you play. We also need to observe the articulation markings such as staccato, tenuto and the accents on both long and short notes. Schubert’s Ghost Schubert is one of my favourite composers. I hope you enjoy the swing of the dotted rhythms and accents in this little Viennese impression. There are three musical quotations: one from Schubert himself, one from a later Viennese composer, Gustav Mahler and, near the end, the Dies Irae tune which has been used by many composers.
Three Pieces for Bassoon and Piano. Composed by Graham Sheen. Wind & brass music. Mr Sheen's Miscellany. Educational. Clifton Edition #C182. Published by Clifton Edition (ST.C182).
ISBN 9790570811823.
Contents
Bodhán The melody here is very broken up, so breathe and be ready for the next entry in good time. Don’t drag behind the “drum” in the piano part. Notice that only some of the notes are marked staccato. À la Modal Modes are scales based on the white notes of the piano, say, so you won’t find a single accidental in this piece. It shows that expression in music depends on more than just the dynamics, that is, how loudly and softly you play. We also need to observe the articulation markings such as staccato, tenuto and the accents on both long and short notes. Schubert’s Ghost Schubert is one of my favourite composers. I hope you enjoy the swing of the dotted rhythms and accents in this little Viennese impression. There are three musical quotations: one from Schubert himself, one from a later Viennese composer, Gustav Mahler and, near the end, the Dies Irae tune which has been used by many composers.
Preview: Mr Sheen’s Miscellany for Bassoon. Grade 2
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