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6551225
Histoire Du Tango
6551225
6551225
6551225
Details
Flute/violin and piano - Intermediate
SKU: LM.28224
Composed by Astor Piazzolla. Instrumental music. Contemporary. Score. 37 + 14 + 14 pages. Duration 23'. Editions Henry Lemoine #28224. Published by Editions Henry Lemoine (LM.28224).ISBN 9790230982245.
Arrangement pour flûte (ou violon) et piano de Dmitriy Varelas.
Bordel 1900 :
Le tango naît à Buenos-Aires en 1882. Les premiers instruments à le jouer sont la guitare et la flûte. Par la suite, s'y ajoutent le piano puis le bandonéon. C'est une musique pleine de grâce et de vivacité : elle donne l'image de la bonne humeur, de la faconde des Françaises, des Italiennes et des Espagnoles qui vivent dans ces bordels, aguichant policiers, voleurs, marins et mauvais garçons qui leur rendent visite. Le tango est gai.
Café 1930 :
C'est une autre époque du tango. On cesse de le danser comme en 1900 et l'on se contente désormais de l'écouter - il devient plus musical, plus romantique aussi. C'est une transformation radicale : mouvement plus lent, harmonies nouvelles, beaucoup de mélancolie. Les orchestres de tango se composent de deux violons, deux bandonéons, un piano et une basse. On chante parfois.
Night-club 1960 :
Cette période pendant laquelle s'accroissent considérablement les échanges internationaux, voit une évolution nouvelle : le Brésil et l'Argentine se retrouvent à Buenos-Aires. Bossa nova et nouveau tango, "même combat". Le public accourt dans les night-clubs pour y écouter avec sérieux le nouveau tango. Révolution, profond bouleversement de certaines formes du vieux tango.
Concert d'aujourd'hui :
La musique de tango rejoint, par certains concepts, la musique nouvelle. Réminiscences de Bartok, Stravinsky et quelques autres sur fond de tango. C'est le tango d'aujourd'hui, le tango de l'avenir...
- Bordel 1900
- Cafe 1930
- Night-Club 1960
- Concert d'aujourd'hui
Ratings + Reviews
Based on 4 Reviews
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Lowell
February 11, 2018
Charming songs
The piano adaptation is well done
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Anonymous
October 16, 2017
Beautiful piece
This is my first experience with this composer and arrangement. Its a beautiful song and the perfect challenge for me.
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Anonymous
February 20, 2014
Ok, but not the answer
My wife and I are a professional flute and piano duo, and we were eager to add this piece to our repertoire when we saw that it now existed in this transcription. What is critical to know about this piece is the transcription was done by Dimitriy Varelas, a flutist and composer who clearly has a great love of Piazzolla. While in this piece, Mr. Varelas makes many interesting and successful choices in re-creating the guitar part on the piano, he unfortunately inserts many of his own musical inventions--counter-melodies, altered harmonies, etc., resulting in a grand concert paraphrase. While the piano part gets the majority of this treatment, the flute part is altered as well, The result is that the performer's artistic freedom is very limited, and Piazzolla's voice is obscured. I do think you can play convincingly from this music, it's a different piece;for my own playing, I'm comparing to the original flute/guitar version, and taking my pencil to cross out lots of extra notes.
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Clayt
June 02, 2011
Not recommended
This transcription of a piece originally for flute and guitar add a great deal of material in the piano part that make the piece harder than necessary to play while not accurately reflecting the original.
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This sheet music is best suited for advanced instrumentalists proficient in 20th-century chamber music, especially those with an appreciation for the Tango style. With an Intermediate to Advanced difficulty level, it offers a challenging and rewarding experience. Its flexibility for either flute or violin soloist makes it a versatile choice for serious musicians looking to explore Astor Piazzolla's acclaimed work.
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