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Edition with Fingering. Composed by Frederic Chopin. Edited by Ewald Zimmermann. Arranged by Hans-Martin Theopold. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 12 pages. G. Henle #HN1322. Published by G. Henle (HL.51481322).
ISBN 9790201813226. UPC: 888680683047. 9.25x12.25x0.067 inches.
The fact that Chopin's waltzes are no longer dance music, but refined concert pieces for performance in salon or concert hall, emerges nowhere as sharply as in the “Grande Valse” op. 42. The main theme banters with a delighful rhythmic shifting between the accompaniment in the typical 3/4 time and the melody, which, in its turn, is heard in duple time. Robert Schumann called this waltz a “salon piece of the most noble type”; one which, in spite of all its brilliance and virtuosity, can still be mastered by advanced amateurs.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Edition with Fingering. Composed by Frederic Chopin. Edited by Ewald Zimmermann. Arranged by Hans-Martin Theopold. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 12 pages. G. Henle #HN1322. Published by G. Henle (HL.51481322).
ISBN 9790201813226. UPC: 888680683047. 9.25x12.25x0.067 inches.
The fact that Chopin's waltzes are no longer dance music, but refined concert pieces for performance in salon or concert hall, emerges nowhere as sharply as in the “Grande Valse” op. 42. The main theme banters with a delighful rhythmic shifting between the accompaniment in the typical 3/4 time and the melody, which, in its turn, is heard in duple time. Robert Schumann called this waltz a “salon piece of the most noble type”; one which, in spite of all its brilliance and virtuosity, can still be mastered by advanced amateurs.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Grande Valse A-flat Major Op. 42
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