18128574
Fanfare and Procession
18128574
18128574
18128574
Copyright Material for Preview Only - Sheet Music Plus
Brass Choir (4.2.2.1.1)
SKU: AP.81-BC2660
Composed by Edward Elgar. Arranged by Joel Treybig. 5 or More; Brass - Brass Choir; Masterworks; Solo Small Ensembles. Eighth Note Publications. Romantic. Score and Part(s). Duration 00:05:00. Eighth Note Publications #81-BC2660. Published by Eighth Note Publications (AP.81-BC2660).
ISBN 9781554723515. UPC: 685462000715. English.
The pieces in Fanfare and Procession are taken from the works of two of England's master composers. The opening fanfare and first part of the processional are taken from Elgar's Pomp and Circumstance March No. 1. In contrast, the latter portion of the present arrangement is arranged from Byrd's The Earle of Oxford's Marche. These two contrasting pieces were paired together to provide a lengthy, continuous march for use in ceremonial occasions. Through the use of a D.S., the piece can be performed as an ongoing loop, and the piece is scored (for 4 trumpets, 2 horns, 2 trombones, baritone and tuba) with adequate rest in all 10 parts to allow for long processionals even after performing a lengthy prelude.
Brass Choir (4.2.2.1.1)
SKU: AP.81-BC2660
Composed by Edward Elgar. Arranged by Joel Treybig. 5 or More; Brass - Brass Choir; Masterworks; Solo Small Ensembles. Eighth Note Publications. Romantic. Score and Part(s). Duration 00:05:00. Eighth Note Publications #81-BC2660. Published by Eighth Note Publications (AP.81-BC2660).
ISBN 9781554723515. UPC: 685462000715. English.
The pieces in Fanfare and Procession are taken from the works of two of England's master composers. The opening fanfare and first part of the processional are taken from Elgar's Pomp and Circumstance March No. 1. In contrast, the latter portion of the present arrangement is arranged from Byrd's The Earle of Oxford's Marche. These two contrasting pieces were paired together to provide a lengthy, continuous march for use in ceremonial occasions. Through the use of a D.S., the piece can be performed as an ongoing loop, and the piece is scored (for 4 trumpets, 2 horns, 2 trombones, baritone and tuba) with adequate rest in all 10 parts to allow for long processionals even after performing a lengthy prelude.
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