Solo violin part and Piano Reduction. Composed by Behzad Ranjbaran. This edition: saddle-wire stitch. Sws. World Premiere: Joshua Bell, Violin, Royal Liverpool Philharmonic, Gerard Schwarz, Conductor. Contemporary. Score and parts. With Standard notation. Composed 1994. 85 pages. Duration 0:30:00. Theodore Presser Company #114-40903. Published by Theodore Presser Company (PR.114409030).
UPC: 680160013715. 9 x 12 inches.
The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale.
Solo violin part and Piano Reduction. Composed by Behzad Ranjbaran. This edition: saddle-wire stitch. Sws. World Premiere: Joshua Bell, Violin, Royal Liverpool Philharmonic, Gerard Schwarz, Conductor. Contemporary. Score and parts. With Standard notation. Composed 1994. 85 pages. Duration 0:30:00. Theodore Presser Company #114-40903. Published by Theodore Presser Company (PR.114409030).
UPC: 680160013715. 9 x 12 inches.
The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale.
Preview: Concerto For Violin And Orchestra
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