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Composed by Joseph Chabanceau de la Barre. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Chamber Music. Anne Fuzeau Productions - France #2666. Published by Anne Fuzeau Productions - France (FZ.2666).
ISBN 9790230626668. 22.00 x 31.00 cm inches.
This facsimile of an original by Joseph Chabanceau de la Barre is part of our French classical music collection. Editions : Paris, R. Ballard, 1669. These airs are notated in the treble clef or soprano clef for the upper part. The texts, however, are more suitable for made than female voices. Although the treble clef and soprano clef more usually correspond to the soprano voice (dessus), these airs can be sung by a tenor or haute contre francaise voice, in line with 17th-century pratice. Preface by: Philippe Lescat: the life and works of Joseph Chabanceau de la Barre,Jean Saint-Arroman: notation and ornamentation. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Sainte-Genevieve Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
Composed by Joseph Chabanceau de la Barre. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Chamber Music. Anne Fuzeau Productions - France #2666. Published by Anne Fuzeau Productions - France (FZ.2666).
ISBN 9790230626668. 22.00 x 31.00 cm inches.
This facsimile of an original by Joseph Chabanceau de la Barre is part of our French classical music collection. Editions : Paris, R. Ballard, 1669. These airs are notated in the treble clef or soprano clef for the upper part. The texts, however, are more suitable for made than female voices. Although the treble clef and soprano clef more usually correspond to the soprano voice (dessus), these airs can be sung by a tenor or haute contre francaise voice, in line with 17th-century pratice. Preface by: Philippe Lescat: the life and works of Joseph Chabanceau de la Barre,Jean Saint-Arroman: notation and ornamentation. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Sainte-Genevieve Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
Preview: Two-part Airs, with diminutions for the second couplets.
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