Composed by Simon Le Duc. Edited by Department De Musique Ancienne Du C.N.S.M De Paris. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Anne Fuzeau Productions - France #50527. Published by Anne Fuzeau Productions - France (FZ.50527).
ISBN 9790049505277. 22.00 x 30.00 cm inches.
This facsimile of an original by Simon Le Duc is part of our French classical music collection. Second livre de sonates pour le violon (avec basse continue) - Oeuvre IV. Edition : Paris, Le Duc, s. d. (=c. 1771). Presentation: Saskia Salembier - Departement de musique ancienne Conservatoire National Superieur de Musique et de Danse de Paris. This book contains some of the most beautiful sonatas for violin and continuo from the end of the XVIIIth century. All violinists should be familiar with them. In addition, they are excellent for the study of late XVIIIth century ornamentation. Quality engraving, very legible. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
Composed by Simon Le Duc. Edited by Department De Musique Ancienne Du C.N.S.M De Paris. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Anne Fuzeau Productions - France #50527. Published by Anne Fuzeau Productions - France (FZ.50527).
ISBN 9790049505277. 22.00 x 30.00 cm inches.
This facsimile of an original by Simon Le Duc is part of our French classical music collection. Second livre de sonates pour le violon (avec basse continue) - Oeuvre IV. Edition : Paris, Le Duc, s. d. (=c. 1771). Presentation: Saskia Salembier - Departement de musique ancienne Conservatoire National Superieur de Musique et de Danse de Paris. This book contains some of the most beautiful sonatas for violin and continuo from the end of the XVIIIth century. All violinists should be familiar with them. In addition, they are excellent for the study of late XVIIIth century ornamentation. Quality engraving, very legible. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
Preview: Second book of sonatas for the violin (with continuo bass) Opus IV
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