With Rockband. Composed by Alan Parsons. Arranged by Ton van Grevenbroek. Pop Music/Arrangements of Modern Light Music/The 70s/The 80s/Rock. Pop and Swing Series. Recorded on A Tribute to Alan Parsons - Live (ML.311073720). Full set. Duration 3 minutes, 47 seconds. Molenaar Edition #012711060. Published by Molenaar Edition (ML.012711060).
Deze titel maakt deel uit van het Alan Parsons Project. The Turn gaat over de entree die de gokker maakt in het casino met chagrijnige gezichten en het eeuwig draaiende roulettewiel. De verslaving is direct hoorbaar: ‘No game ever ends when your whole world depends on the turn of a friendly card”. Parsons vergeleek de verhouding spel, speler, met reliek en pelgrim. De speler gaat het casino binnen; de pelgrim de kathedraal
This arrangment is part of the Alan Parsons Project. The Turn tells the story of the entrance a gambler makes into a casino, full of expressionless faces and the endless spinning of the roulette wheel. The addiction is summed up as thus. “No game ever ends when your whole world depends on the turn of a friendly card”. Parsons compares the chance game players with relics and pilgrims. The players enter the casinos, the pilgrims, the cathedrals.
Ce titre fait partie du Alan Parsons Project. The Turn parle de l’entrée d’un joueur dans le casino, avec ses visages grincheux et la roulette qui tourne éternellement. On entend tout-de-suite la dépendance au jeu : ‘No game ever ends when your whole world depends on the turn of a friendly card’. Parsons a comparé la relation jeu-joueur à celle de relique-pèlerin. Le joueur entre le casino ; le pèlerin entre la cathédrale.
Dieser Titel bildete einen Teil des Alan Parsons Project. `The Turn` handelt von einem Spieler der seinen Entree im Kasino macht, mit schlecht gelaunten Gesichtern und dem ewig drehenden Rouletterad. Die Sucht ist sofort zu hören: `No game ever ends when your whole world depends on the turn of a friendly card`. Parsons verglich das Verhältnis Spiel/Spieler mit Relique und Pilger. Der Spieler geht ins Kasino, der Pilger in die Kathedrale.
Instrumentation 0 Full Score A3 1 Full Score 1 Piano 1 Voice 1 Various I 1 Various II 4 Flute I 4 Flute II 1 Oboe I 1 Oboe II 1 Bassoon I 1 Bassoon II 1 Clarinet Eb 5 Clarinet I 5 Clarinet II 5 Clarinet III 1 Bass Clarinet 2 Alto Saxophone I 2 Alto Saxophone II 2 Tenor Saxophone 1 Baritone Saxophone 2 Trumpet I 2 Trumpet II 2 Trumpet III 2 Trumpet IV 2 Horn I Eb 2 Horn I F 1 Horn II Eb 1 Horn II F 1 Horn III Eb 1 Horn III F 2 Trombone I C 1 Trombone I Bb (TC) 1 Trombone I Bb (BC) 2 Trombone II C 1 Trombone II Bb (TC) 1 Trombone II Bb (BC) 2 Trombone III C 1 Trombone III Bb (TC) 1 Trombone III Bb (BC) 2 Trombone IV C 1 Trombone IV Bb (TC) 1 Trombone IV Bb (BC) 1 Baritone C 1 Baritone Bb (BC) 2 Baritone Bb (TC) 1 Baritone II C 1 Baritone II Bb (BC) 2 Baritone II Bb (TC) 2 Bas Bb (TC) 2 Bas Bb (BC) 2 Bas Eb (TC) 2 Bas Eb (BC) 4 Tuba C 1 Stringbass 3 Drums.
With Rockband. Composed by Alan Parsons. Arranged by Ton van Grevenbroek. Pop Music/Arrangements of Modern Light Music/The 70s/The 80s/Rock. Pop and Swing Series. Recorded on A Tribute to Alan Parsons - Live (ML.311073720). Full set. Duration 3 minutes, 47 seconds. Molenaar Edition #012711060. Published by Molenaar Edition (ML.012711060).
Deze titel maakt deel uit van het Alan Parsons Project. The Turn gaat over de entree die de gokker maakt in het casino met chagrijnige gezichten en het eeuwig draaiende roulettewiel. De verslaving is direct hoorbaar: ‘No game ever ends when your whole world depends on the turn of a friendly card”. Parsons vergeleek de verhouding spel, speler, met reliek en pelgrim. De speler gaat het casino binnen; de pelgrim de kathedraal
This arrangment is part of the Alan Parsons Project. The Turn tells the story of the entrance a gambler makes into a casino, full of expressionless faces and the endless spinning of the roulette wheel. The addiction is summed up as thus. “No game ever ends when your whole world depends on the turn of a friendly card”. Parsons compares the chance game players with relics and pilgrims. The players enter the casinos, the pilgrims, the cathedrals.
Ce titre fait partie du Alan Parsons Project. The Turn parle de l’entrée d’un joueur dans le casino, avec ses visages grincheux et la roulette qui tourne éternellement. On entend tout-de-suite la dépendance au jeu : ‘No game ever ends when your whole world depends on the turn of a friendly card’. Parsons a comparé la relation jeu-joueur à celle de relique-pèlerin. Le joueur entre le casino ; le pèlerin entre la cathédrale.
Dieser Titel bildete einen Teil des Alan Parsons Project. `The Turn` handelt von einem Spieler der seinen Entree im Kasino macht, mit schlecht gelaunten Gesichtern und dem ewig drehenden Rouletterad. Die Sucht ist sofort zu hören: `No game ever ends when your whole world depends on the turn of a friendly card`. Parsons verglich das Verhältnis Spiel/Spieler mit Relique und Pilger. Der Spieler geht ins Kasino, der Pilger in die Kathedrale.
Instrumentation 0 Full Score A3 1 Full Score 1 Piano 1 Voice 1 Various I 1 Various II 4 Flute I 4 Flute II 1 Oboe I 1 Oboe II 1 Bassoon I 1 Bassoon II 1 Clarinet Eb 5 Clarinet I 5 Clarinet II 5 Clarinet III 1 Bass Clarinet 2 Alto Saxophone I 2 Alto Saxophone II 2 Tenor Saxophone 1 Baritone Saxophone 2 Trumpet I 2 Trumpet II 2 Trumpet III 2 Trumpet IV 2 Horn I Eb 2 Horn I F 1 Horn II Eb 1 Horn II F 1 Horn III Eb 1 Horn III F 2 Trombone I C 1 Trombone I Bb (TC) 1 Trombone I Bb (BC) 2 Trombone II C 1 Trombone II Bb (TC) 1 Trombone II Bb (BC) 2 Trombone III C 1 Trombone III Bb (TC) 1 Trombone III Bb (BC) 2 Trombone IV C 1 Trombone IV Bb (TC) 1 Trombone IV Bb (BC) 1 Baritone C 1 Baritone Bb (BC) 2 Baritone Bb (TC) 1 Baritone II C 1 Baritone II Bb (BC) 2 Baritone II Bb (TC) 2 Bas Bb (TC) 2 Bas Bb (BC) 2 Bas Eb (TC) 2 Bas Eb (BC) 4 Tuba C 1 Stringbass 3 Drums.
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