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Organ (Soli STB, Coro SATB, 3 Blfl, 2 Ob, Ctto, 3 Trb, 2 Vl, Va, Bc)
SKU: CA.3102549
Cantata for the 14th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity. Individual part. Composed 1723. BWV 25. 12 pages. Duration 16 minutes. Carus Verlag #CV 31.025/49. Published by Carus Verlag (CA.3102549).
ISBN 9790007205249. 9 x 12 inches. Language: German/English.
This cantata for the 14th Sunday after Trinity was composed in August 1723 and is from Bach's first cycle of cantatas for Leipzig. It is distinguished by its unique opening chorus, which is a four-part choral fugue with independent instrumental parts in which Bach has interwoven a four-part chorale ("Herzlich tut mich verlangen") played by the winds. This is an artistic combination which expands to as many as ten real parts. The second aria "Offne meinen schlechten Liedern," is distinguished by an unusual instrumental coloring in which the soprano and the strings, supported by the oboes, are joined by 3 recorders. The edition is the product of a new evaluation of the source situation (see Bach-Jahrbuch 2006). Score and part available separately - see item CA.3102500.
Organ (Soli STB, Coro SATB, 3 Blfl, 2 Ob, Ctto, 3 Trb, 2 Vl, Va, Bc)
SKU: CA.3102549
Cantata for the 14th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Trinity. Individual part. Composed 1723. BWV 25. 12 pages. Duration 16 minutes. Carus Verlag #CV 31.025/49. Published by Carus Verlag (CA.3102549).
ISBN 9790007205249. 9 x 12 inches. Language: German/English.
This cantata for the 14th Sunday after Trinity was composed in August 1723 and is from Bach's first cycle of cantatas for Leipzig. It is distinguished by its unique opening chorus, which is a four-part choral fugue with independent instrumental parts in which Bach has interwoven a four-part chorale ("Herzlich tut mich verlangen") played by the winds. This is an artistic combination which expands to as many as ten real parts. The second aria "Offne meinen schlechten Liedern," is distinguished by an unusual instrumental coloring in which the soprano and the strings, supported by the oboes, are joined by 3 recorders. The edition is the product of a new evaluation of the source situation (see Bach-Jahrbuch 2006). Score and part available separately - see item CA.3102500.
Preview: There is naught of soundness within my body
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