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A Fun and Comprehensive Overview of Latin Guitar Playing. Composed by Doug Munro. Guitar Method or Supplement; Method/Instruction. The Total Guitarist. Jazz. Book and Digital Download. 128 pages. Alfred Music #00-34919. Published by Alfred Music (AP.34919).
ISBN 9780739069509. UPC: 038081389318. English.
It’s time to infuse your playing with a little hot-blooded romance! The Total Latin Guitarist is an exciting journey into the world of Latin guitar playing. The book begins by teaching you soloing and accompaniment techniques used in all genres of Latin music, as well as the rhythmic backbone of many Latin styles, the clave. You'll learn to play in the Afro-Cuban styles of salsa, rumba, guaguancó, cha-cha-cha, mambo, and songo. You'll get a solid introduction to the Brazilian styles of choro, samba, batucada, partido alto, bossa nova, baião, and frevo. Other Latin styles featured are meringue (Dominican Republic); calypso, soca, and bachata (Trinidad); tango (Argentina); and ranchera, mariachi, norteño/conjunto, and tejano (Mexico). Aside from all of the important techniques involved with playing these styles, you will also learn all of the relevant theory. This book is for guitar players who are already familiar with the basics, but are looking to expand their vocabulary and repertoire in new and exciting ways. The CD features a full band demonstrating the examples in the book.
A Fun and Comprehensive Overview of Latin Guitar Playing. Composed by Doug Munro. Guitar Method or Supplement; Method/Instruction. The Total Guitarist. Jazz. Book and Digital Download. 128 pages. Alfred Music #00-34919. Published by Alfred Music (AP.34919).
ISBN 9780739069509. UPC: 038081389318. English.
It’s time to infuse your playing with a little hot-blooded romance! The Total Latin Guitarist is an exciting journey into the world of Latin guitar playing. The book begins by teaching you soloing and accompaniment techniques used in all genres of Latin music, as well as the rhythmic backbone of many Latin styles, the clave. You'll learn to play in the Afro-Cuban styles of salsa, rumba, guaguancó, cha-cha-cha, mambo, and songo. You'll get a solid introduction to the Brazilian styles of choro, samba, batucada, partido alto, bossa nova, baião, and frevo. Other Latin styles featured are meringue (Dominican Republic); calypso, soca, and bachata (Trinidad); tango (Argentina); and ranchera, mariachi, norteño/conjunto, and tejano (Mexico). Aside from all of the important techniques involved with playing these styles, you will also learn all of the relevant theory. This book is for guitar players who are already familiar with the basics, but are looking to expand their vocabulary and repertoire in new and exciting ways. The CD features a full band demonstrating the examples in the book.
About the Author
Introduction
CHAPTER 1: LATIN ACCOMPANIMENT TECHNIQUES
Accompaniment Styles Without a Bass Instrument
Accompaniment Styles with a Bass Instrument
CHAPTER 2: LATIN SOLOING TECHNIQUES
Soloing Based on a Scale or Mode
Soloing Based on an Arpeggio
Voice leading
CHAPTER 3: CLAVE
Son Clave
Rumba Clave
Bossa Clave
CHAPTER 4: MONTUNO/GUAJEO
CHAPTER 5: AFRO-CUBAN
Son
Salsa
Salsa Solo
Rumba
Rumba Solo
Guaguanco
Guaguanco Solo
Cha-Cha
Cha-Cha Solo
Mambo
Mambo solo
Songo
Songo Solo
Mozambique
Mozambique Solo
CHAPTER 6: BRAZIL
Choro
Choro Solo
Samba
Samba Solo
Batucada
Batucada Solo
Partido Alto
Partido Alto Solo
Bossa Nova
Bossa Nova Solo
Bai„o
Bai„o Solo
Frevo
Frevo Solo
CHAPTER 7: THE DOMINICAN REPUBLIC
Merengue
Merengue Solo
Bachata
Bachata Solo
CHAPTER 8: TRINIDAD
Calypso
Calypso Solo
Soca
Soca Solo
CHAPTER 9: ARGENTINA
Tango
Tango Solo
CHAPTER 10: MEXICO
Ranchera
Ranchera Solo
Mariachi
Mariachi Solo
Norteno/Conjunto
Norteno Solo
Tejano
Tejano Solo
Conclusion
Appendix
Reading Tablature (TAB)
Scale Diagrams
Major Scale Theory
Intervals
Diatonic Harmony
Circle of 4ths/5ths
Extended Chords
Ratings + Reviews
★Based on 1 Reviews
★
Rene
February 08, 2011
The Total Latin Guitarist
The book and cd is good, very well explained but the bass on the cd is too loud, we can hardly hear the accompaniment, and the metronome is always on, there is no way to shut it off.I like to play along with the cd and record myself to listen the recording and correct my mistake without a metronome. I don't like to hear all the time the metronome, when I need one I use mine and I can adjust the tempo.
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