SATB choir, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone - Early intermediate
SKU: GI.G-7977
Composed by Louis Bourgeois. Edited by Pearl Shangkuan. Arranged by David Cherwien. Calvin Institute. Tune Name: Rendez À Dieu. Sacred. Octavo. 12 pages. GIA Publications #7977. Published by GIA Publications (GI.G-7977).
UPC: 785147797708. English. Text Source: Psalm 98, adapt. Dewey Westra, 1931, rev. for Psalter Hymnal, 1987.
An opening fanfare layers the initial motif and ends in uplifting majesty. The first stanza uses a harmonization by the late Dale Grotenhuis for both choir and organ. In the second stanza, unison voices have a slightly altered melody with short interpolations by the instrumental forces - and a temporary shift in tonality. The final verse is scored for melody and easy descant. The cadential Amen feels natural and welcomed, not tacked on.
SATB choir, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone - Early intermediate
SKU: GI.G-7977
Composed by Louis Bourgeois. Edited by Pearl Shangkuan. Arranged by David Cherwien. Calvin Institute. Tune Name: Rendez À Dieu. Sacred. Octavo. 12 pages. GIA Publications #7977. Published by GIA Publications (GI.G-7977).
UPC: 785147797708. English. Text Source: Psalm 98, adapt. Dewey Westra, 1931, rev. for Psalter Hymnal, 1987.
An opening fanfare layers the initial motif and ends in uplifting majesty. The first stanza uses a harmonization by the late Dale Grotenhuis for both choir and organ. In the second stanza, unison voices have a slightly altered melody with short interpolations by the instrumental forces - and a temporary shift in tonality. The final verse is scored for melody and easy descant. The cadential Amen feels natural and welcomed, not tacked on.
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