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Composed by Gabriel Faure. Edited by Jean-Michel Nectoux. This edition: Paperbound. French Sacred Music. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Hymns, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Collection. Composed 1865. 184 pages. Carus Verlag #CV 70.301/00. Published by Carus Verlag (CA.7030100).
ISBN 9790007080877. 8.27 x 11.69 inches.
Between completing his education at the École de musique classique et religieuse in Paris and being appointed head of the Paris Conservatoire, Gabriel Fauré worked mainly as a church musician. As a result of his conviction that spiritual music is "an expression of humanity", he usually preferred more intimate chamber music ensembles to large monumental works. In accordance with the resources available where he worked, he wrote much for mixed choir, frequently supported by soloists and organ or harmonium and sometimes enriched by harp or double bass. For festive occasions, further instruments were added: preferably a string quintet, sometimes augmented by wind instruments. The chamber music-like "human" character was, however, always retained.
"Musique religieuse" contains all the smaller-scale choral and ensemble works, as well as previously unpublished original arrangements for orchestra and chamber ensemble.
Composed by Gabriel Faure. Edited by Jean-Michel Nectoux. This edition: Paperbound. French Sacred Music. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Hymns, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Collection. Composed 1865. 184 pages. Carus Verlag #CV 70.301/00. Published by Carus Verlag (CA.7030100).
ISBN 9790007080877. 8.27 x 11.69 inches.
Between completing his education at the École de musique classique et religieuse in Paris and being appointed head of the Paris Conservatoire, Gabriel Fauré worked mainly as a church musician. As a result of his conviction that spiritual music is "an expression of humanity", he usually preferred more intimate chamber music ensembles to large monumental works. In accordance with the resources available where he worked, he wrote much for mixed choir, frequently supported by soloists and organ or harmonium and sometimes enriched by harp or double bass. For festive occasions, further instruments were added: preferably a string quintet, sometimes augmented by wind instruments. The chamber music-like "human" character was, however, always retained.
"Musique religieuse" contains all the smaller-scale choral and ensemble works, as well as previously unpublished original arrangements for orchestra and chamber ensemble.
Cantique de Jean Racine, Op. 11 - Des-Dur/D-flat major
Ave Maria in A, posth. (Ave Maria in A major) - A-Dur/A major
Tu es Petrus - C-Dur/C major
Ave Maria in h, Op. 93 (Ave Maria in B major) - h-Moll/B minor
Benedictus
Messe basse - As-Dur/Ab major
Noël, Op. 43 no. 1 - As-Dur/Ab major
O salutaris hostia, Op. 47 no. 1 - H-Dur/B major
Il est ne le divin enfant - B-Dur/B-flat major
Maria Mater gratiae, Op. 47 no. 2 - Es-Dur/Eb major
Ecce fidelis servus, Op. 54 - B-Dur/B-flat major
Noël dienfants - A-Dur/A major
En Priere - Es-Dur/Eb major
Tantum ergo in A, Op. 55 (Tantum ergo in A major) - A-Dur/A major
Ave verum corpus, Op. 65 no. 1 (Ave verum corpus) - f-Moll/F minor
Tantum ergo in E, Op. 65 no. 2 (Tantum ergo in E major) - E-Dur/E major
Sancta Mater - A-Dur/A major
Ave Maria (Ave Maria) - F-Dur/F major
Ave Maria in As, Op. 67 no. 2 (Ave Maria in A flat major) - As-Dur/Ab major
Tantum ergo in Ges (Tantum ergo in G flat major) - Ges-Dur/G-flat major
Preview: Sacred music. Complete edition of the shorter sacred music for choir and ensembles
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