Composed by Louis Vierne. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Paperback. Louis Vierne. Complete Organ Works VII.4 | BARENREITER URTEXT. Performance score. Composed 1927. Opus 55. Baerenreiter Verlag #BA09230. Published by Baerenreiter Verlag (BA.BA09230).
ISBN 9790006535859. 11.81 x 9.06 inches.
These two volumes (BA 9229, BA 9230) continue the ambitious project to publish Vierne’s complete organ and piano works.
The famous collection of “ Pièces de Fantaisie ” comprising 24 fantasy pieces in four volumes (Livres I-IV) has become internationally known. With their varying degrees of difficulty, the pieces are suitable for both professional organists as well as advanced pupils and students.
As there is neither a thematic link nor a unifying tonal scheme within the four books, the pieces are above all a diverse collection of individual works suitable for performance in a wide range of contexts.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Louis Vierne. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Paperback. Louis Vierne. Complete Organ Works VII.4 | BARENREITER URTEXT. Performance score. Composed 1927. Opus 55. Baerenreiter Verlag #BA09230. Published by Baerenreiter Verlag (BA.BA09230).
ISBN 9790006535859. 11.81 x 9.06 inches.
These two volumes (BA 9229, BA 9230) continue the ambitious project to publish Vierne’s complete organ and piano works.
The famous collection of “ Pièces de Fantaisie ” comprising 24 fantasy pieces in four volumes (Livres I-IV) has become internationally known. With their varying degrees of difficulty, the pieces are suitable for both professional organists as well as advanced pupils and students.
As there is neither a thematic link nor a unifying tonal scheme within the four books, the pieces are above all a diverse collection of individual works suitable for performance in a wide range of contexts.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preface
Louis Vierne - Biographical Overview
The genesis of the 24 Pieces de Fantaisie
The Fantasy Pieces op. 55
Notation and Interpretation
Facsimiles
Pieces de Fantaisie [Corrections of the] 4eme Suite (autograph, page 2)
Les grandes orgues de Notre Dame, Le Figaro, Paris, 11 June 1932
Pieces de Fantaisie op. 55 (1927)
Aubade
Resignation
Cathedrales
Naiades
Gargouilles et Chimeres
Les cloches de Hinckley
Critical Report
I. Abbreviations
II. Editorial technique
III. Sources
IV. Detailed references
Bibliography
Preview: Pieces de Fantaisie en quatre suites, Livre IV, Op. 55
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