6144590
Passcaglia
6144590
6144590
6144590
Copyright Material for Preview Only - Sheet Music Plus
Score and Parts Cello; Piano; Violin - difficult
SKU: HL.49033212
For Violin, Violoncello and Piano Score and Parts. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 2000/2006. 46 pages. Duration 30'. Schott Music #ED9633. Published by Schott Music (HL.49033212).
ISBN 9790001135894. UPC: 073999282085. 9.0x12.0x0.132 inches.
This Piano Trio Passacaglia is the 'junior' companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto's large-dimensional introductory section with the indication 'Feierlich, schreitend' [solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one's way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic - i.e. vertical - progressions.- Jorg Widmann.
Score and Parts Cello; Piano; Violin - difficult
SKU: HL.49033212
For Violin, Violoncello and Piano Score and Parts. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 2000/2006. 46 pages. Duration 30'. Schott Music #ED9633. Published by Schott Music (HL.49033212).
ISBN 9790001135894. UPC: 073999282085. 9.0x12.0x0.132 inches.
This Piano Trio Passacaglia is the 'junior' companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto's large-dimensional introductory section with the indication 'Feierlich, schreitend' [solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one's way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic - i.e. vertical - progressions.- Jorg Widmann.
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