For ensemble (or chamber orchestra). Composed by Jorg Widmann. This edition: Paperback/Soft Cover. Sheet music. Study Score. Study score. Composed 2002. 88 pages. Duration 25'. Schott Music #ED21057. Published by Schott Music (HL.49018708).
ISBN 9790001175838. 8.25x11.75x0.225 inches.
Jorg Widmann dedicated 'Freie Stucke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jorg Widmann)
2 (2. auch Picc.) * 1 (auch Engl. Hr.) * 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) * 1 (auch Kfg. und Lotosfl.) - 1 * 1 (auch Lotosfl.) * 1 * 0 - S. (I: Crot. * Lotosfl. * Wassergong [kl. Tamt.] * Wassergong [c']* Tamt. * Xylorimba * gr. Tr. * Beck. * Glsp. * 5 Woodbl. * 2 Peking-Oper-Gongs * Trillerpf. * hohes Tomt. * 2 hohe Tamb. * Steel Drum * Rototoms [chrom.] * Buckelgongs; II: Chin. Beck. * 5 Woodbl. * Lotosfl. * Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] * 5 Beck. * Xylorimba * Peitsche * gr. Tr. * Crot. * Trgl. * Glsp * Flex. * Guiro * Peking-Oper-Gong * Trillerpf. * Rohrengl.) (2 Spieler) - Str. (1 * 1 * 1 * 1 * 1 [Kb. mit 5. Saite H], oder chorisch).
For ensemble (or chamber orchestra). Composed by Jorg Widmann. This edition: Paperback/Soft Cover. Sheet music. Study Score. Study score. Composed 2002. 88 pages. Duration 25'. Schott Music #ED21057. Published by Schott Music (HL.49018708).
ISBN 9790001175838. 8.25x11.75x0.225 inches.
Jorg Widmann dedicated 'Freie Stucke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jorg Widmann)
2 (2. auch Picc.) * 1 (auch Engl. Hr.) * 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) * 1 (auch Kfg. und Lotosfl.) - 1 * 1 (auch Lotosfl.) * 1 * 0 - S. (I: Crot. * Lotosfl. * Wassergong [kl. Tamt.] * Wassergong [c']* Tamt. * Xylorimba * gr. Tr. * Beck. * Glsp. * 5 Woodbl. * 2 Peking-Oper-Gongs * Trillerpf. * hohes Tomt. * 2 hohe Tamb. * Steel Drum * Rototoms [chrom.] * Buckelgongs; II: Chin. Beck. * 5 Woodbl. * Lotosfl. * Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] * 5 Beck. * Xylorimba * Peitsche * gr. Tr. * Crot. * Trgl. * Glsp * Flex. * Guiro * Peking-Oper-Gong * Trillerpf. * Rohrengl.) (2 Spieler) - Str. (1 * 1 * 1 * 1 * 1 [Kb. mit 5. Saite H], oder chorisch).
Preview: Free Pieces For Ensemble Or Chamber Ensemble Study Score
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