Magnificat Sacred concert by Heinrich Schutz 4-Part - Sheet Music

By Heinrich Schutz

The Latin Magnificat SWV 468 is a splendid composition full of harmonic surprises. This masterpiece by the mature Schütz from the 1640s or 1650s survives only in handwritten parts held in Uppsala University Library. Schütz forms each of Magnificat’s individual verses separately, but refrains from fragmenting the work into distinct movements. Being scored for two chapel choirs that interact with one another adds to the work’s splendor. The choirs can also be omitted, or only one may be used.

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Details

Instrument:
Choir Trombone
Ensembles:
4-Part SATB SATB/SATB Double Choir
Genres:
Christian Christmas Baroque Period
Composers:
Heinrich Schutz
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007036690
Format:
Score
Item types:
Physical
Musical forms:
Concerto
Artist:
Heinrich Schutz
Arrangers:
Paul Horn
Usages:
Advent Christmas Blessed Virgin Mary Praise Hymn Anthems Magnificat
Main Key:
G Mixolydian
Size:
8.27 x 11.69 inches
Shipping Weight:
0.5 pounds

Fav SATB, 2 Vl, 3 Trb, Cb, Org, [Cap SATB/SATB], 8 Instr - Grade 3

SKU: CA.2046800

Sacred concert. Composed by Heinrich Schutz. Edited by Günter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. Carus digital: Sheet music as PDF. Sacred concertos, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Full score. Composed circa 1665 (terminus ante quem). SWV 468. Duration 13 minutes. Carus Verlag #CV 20.468/00. Published by Carus Verlag (CA.2046800).

ISBN 9790007036690. 8.27 x 11.69 inches. Key: G mixolydian. Language: Latin/German.

The Latin Magnificat SWV 468 is a splendid composition full of harmonic surprises. This masterpiece by the mature Schütz from the 1640s or 1650s survives only in handwritten parts held in Uppsala University Library. Schütz forms each of Magnificat’s individual verses separately, but refrains from fragmenting the work into distinct movements. Being scored for two chapel choirs that interact with one another adds to the work’s splendor. The choirs can also be omitted, or only one may be used.