564751
Magnificat
564751
564751
564751
Copyright Material for Preview Only - Sheet Music Plus
Basso continuo - Grade 3
SKU: CA.2046817
Sacred concert. Composed by Heinrich Schutz. Edited by Günter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Uppsala-Magnificat (Lat./Dt.). Sacred concertos, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Individual part. Composed circa 1665 (terminus ante quem). SWV 468. 4 pages. Duration 13 minutes. Carus Verlag #CV 20.468/17. Published by Carus Verlag (CA.2046817).
ISBN 9790007196585. 9 x 12 inches. Key: G mixolydian. Language: Latin/German.
The Latin Magnificat SWV 468 is a splendid composition full of harmonic surprises. This masterpiece by the mature Schütz from the 1640s or 1650s survives only in handwritten parts held in Uppsala University Library. Schütz forms each of Magnificat’s individual verses separately, but refrains from fragmenting the work into distinct movements. Being scored for two chapel choirs that interact with one another adds to the work’s splendor. The choirs can also be omitted, or only one may be used.
Basso continuo - Grade 3
SKU: CA.2046817
Sacred concert. Composed by Heinrich Schutz. Edited by Günter Graulich. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Schutz. German title: Uppsala-Magnificat (Lat./Dt.). Sacred concertos, Sacred vocal music, Magnificats, Advent, Christmas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Daily hours. Individual part. Composed circa 1665 (terminus ante quem). SWV 468. 4 pages. Duration 13 minutes. Carus Verlag #CV 20.468/17. Published by Carus Verlag (CA.2046817).
ISBN 9790007196585. 9 x 12 inches. Key: G mixolydian. Language: Latin/German.
The Latin Magnificat SWV 468 is a splendid composition full of harmonic surprises. This masterpiece by the mature Schütz from the 1640s or 1650s survives only in handwritten parts held in Uppsala University Library. Schütz forms each of Magnificat’s individual verses separately, but refrains from fragmenting the work into distinct movements. Being scored for two chapel choirs that interact with one another adds to the work’s splendor. The choirs can also be omitted, or only one may be used.
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