21691791
Im Freygish
21691791
21691791
21691791
Copyright Material for Preview Only - Sheet Music Plus
String quartet
SKU: HH.HH477-FSP
Composed by Jeremy Arden. String Quartet. Contemporary. Full score and parts. Duration c.12:00. Edition HH Music Publishers #HH477-FSP. Published by Edition HH Music Publishers (HH.HH477-FSP).
ISBN 9790708146889. 8.27 x 11.69 inches.
The term ‘freygish’ is typically found in klezmer music but derives from a much older cantorial mode, also known under several other titles including the Ahava Rabbah mode, the Mode of Supplication, and Altered Phrygian mode. It is used for the setting of ‘Ahava Rabbah’, or ‘abounding love’, the Ashkenazi prayer and blessing sung during the synagogue morning services. When performed, either in synagogue or in a klezmer setting, the mode can be developed into a variety of short phrases and melodic forms. Jeremy Arden has taken this beautiful irregular scale and filtered its melodic forms through my own musical sensibilities to create a dialogue between Jewish musical traditions and the western musical canon, expressed here through the rigorous crucible of the string quartet.
String quartet
SKU: HH.HH477-FSP
Composed by Jeremy Arden. String Quartet. Contemporary. Full score and parts. Duration c.12:00. Edition HH Music Publishers #HH477-FSP. Published by Edition HH Music Publishers (HH.HH477-FSP).
ISBN 9790708146889. 8.27 x 11.69 inches.
The term ‘freygish’ is typically found in klezmer music but derives from a much older cantorial mode, also known under several other titles including the Ahava Rabbah mode, the Mode of Supplication, and Altered Phrygian mode. It is used for the setting of ‘Ahava Rabbah’, or ‘abounding love’, the Ashkenazi prayer and blessing sung during the synagogue morning services. When performed, either in synagogue or in a klezmer setting, the mode can be developed into a variety of short phrases and melodic forms. Jeremy Arden has taken this beautiful irregular scale and filtered its melodic forms through my own musical sensibilities to create a dialogue between Jewish musical traditions and the western musical canon, expressed here through the rigorous crucible of the string quartet.
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