6027188
Horns of Elfland
6027188
6027188
6027188
Copyright Material for Preview Only - Sheet Music Plus
Tenor Recorder - advanced
SKU: HL.49011304
For Tenor Recorder. Composed by Markus Zahnhausen. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Composed 1999. 12 pages. Duration 10'. Schott Music #OFB198. Published by Schott Music (HL.49011304).
ISBN 9790001130745. UPC: 073999739688. 9.0x12.0x0.067 inches.
Markus Zahnhausen, b. 1965, is one of the leading recorder players of our time. In his works for recorder he combines traditional and modern sounds. The central theme of his works is a love of Nature. “The Horns of Elfland” (1999) is based upon a poem by Alfred Lord Tennyson (1809-1892). The composer writes: “I have taken Tennyson's picture of the clear and tender notes of the horns of the imaginary, magical world of Elfland and attempted to translate it into music. The very essence of this work is its quietness. The central focus of the composition is the echo in its multiple aspects. This echo is often not an exact reproduction of the notes but a deliberate variation, analysis or reinterpretation of their original form.”.
Tenor Recorder - advanced
SKU: HL.49011304
For Tenor Recorder. Composed by Markus Zahnhausen. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Composed 1999. 12 pages. Duration 10'. Schott Music #OFB198. Published by Schott Music (HL.49011304).
ISBN 9790001130745. UPC: 073999739688. 9.0x12.0x0.067 inches.
Markus Zahnhausen, b. 1965, is one of the leading recorder players of our time. In his works for recorder he combines traditional and modern sounds. The central theme of his works is a love of Nature. “The Horns of Elfland” (1999) is based upon a poem by Alfred Lord Tennyson (1809-1892). The composer writes: “I have taken Tennyson's picture of the clear and tender notes of the horns of the imaginary, magical world of Elfland and attempted to translate it into music. The very essence of this work is its quietness. The central focus of the composition is the echo in its multiple aspects. This echo is often not an exact reproduction of the notes but a deliberate variation, analysis or reinterpretation of their original form.”.
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