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Strings Piano; Violin (Violin and Piano) - Henle Level 3-5
SKU: HL.51480353
Violin and Piano. Composed by Various. Edited by Gisela Meyn-Beckmann. Sheet Music. Paperbound. Henle Music Folios. Pages: Score = X and 63 * Vl Part = 31 * BC Part = 23. Classical. Softcover. 132 pages. G. Henle #HN353. Published by G. Henle (HL.51480353).
ISBN 9790201803531. UPC: 884088175481. 9.25x12.25x0.377 inches.
Two lots of seven violin sonatas from the heyday of the 18th century French Violin School: Whoever plays these sonatas (with basso continuo), will go on a voyage of discovery to a musical continent that is today mainly visited by specialists. But it is worth it! All of these sonatas appeared in much sought after publications of the time and were played across Europe. The editor of both of these Urtext editions, Gisela Meyn-Beckmann, is a renowned connoisseur of the repertoire and has ensured that there is a great deal of variety. The artistic consultant and violinist Erno Sebéstyen, who provided the fingerings and bowings for the solo part, provides valuable, individual suggestions for performing them.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Strings Piano; Violin (Violin and Piano) - Henle Level 3-5
SKU: HL.51480353
Violin and Piano. Composed by Various. Edited by Gisela Meyn-Beckmann. Sheet Music. Paperbound. Henle Music Folios. Pages: Score = X and 63 * Vl Part = 31 * BC Part = 23. Classical. Softcover. 132 pages. G. Henle #HN353. Published by G. Henle (HL.51480353).
ISBN 9790201803531. UPC: 884088175481. 9.25x12.25x0.377 inches.
Two lots of seven violin sonatas from the heyday of the 18th century French Violin School: Whoever plays these sonatas (with basso continuo), will go on a voyage of discovery to a musical continent that is today mainly visited by specialists. But it is worth it! All of these sonatas appeared in much sought after publications of the time and were played across Europe. The editor of both of these Urtext editions, Gisela Meyn-Beckmann, is a renowned connoisseur of the repertoire and has ensured that there is a great deal of variety. The artistic consultant and violinist Erno Sebéstyen, who provided the fingerings and bowings for the solo part, provides valuable, individual suggestions for performing them.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Sonata, E minor, op. III,3 (Violin and piano)
Sonata, B minor, op. II,5 (Violin and piano)
Sonata, A major, liv. I,1 (Violin and piano)
Sonata, E major, op. II, 11 (Violin and piano)
Sonata, G minor, liv. II, 6 (Violin and piano)
Sonata, F major, liv. I, 2 (Violin and piano)
Sonata, B minor, liv. II, 11 (Violin and piano)
Ratings + Reviews
★Based on 1 Reviews
★
Theophanu
April 17, 2018
Wonderfully off the beaten track
These two volumes of French baroque violin music were a wonderful discovery. Truly unusual music (and I know a lot of baroque music), particularly good to work on baroque bowing. I've been particularly delighted by the opportunity to work on second and fourth positions---the editor's fingering suggestions are flawless. The music is a nice range of difficulty from intermediate light to quite advanced with interesting double-stops.
Preview: French Violin Music of the Baroque Era – Volume II
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