Die Freude der Hirten über die Geburt Jesu. Weihnachtsoratorium Gott, dich rühmen unsere Lieder by Gottfried August Homilius 4-Part - Sheet Music

By Gottfried August Homilius

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani.

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Details

Instrument:
Choir Flute
Ensembles:
4-Part SATB Orchestra
Genres:
Christian Classical Period Christmas Carols
Composers:
Gottfried August Homilius
Publishers:
Carus Verlag
Series:
Carus Complete Editions
ISBN:
9783899483239
Format:
Score
Item types:
Physical
Instructionals:
Methods and More
Level:
Grade 3
Musical forms:
Oratorio
Artist:
Gottfried August Homilius
Usages:
Christmas
Size:
10 x 12 inches
Shipping Weight:
1.29 pounds

Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Fg, 3 Cor, 3 Tr, Timp, 2 Vl, Va, Vc/Cb - Grade 3

SKU: CA.3710500

Gott, dich rühmen unsere Lieder. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound, Complete edition. Gottfried August Homilius - Selected Works. Carus plus: Innovative practice aids. Innovative practice aids, Sacred vocal music, Oratorios, Christmas. Full score (complete edition / selected edition). HoWV I.1. Duration 45 minutes. Carus Verlag #CV 37.105/00. Published by Carus Verlag (CA.3710500).

ISBN 9783899483239. 10 x 12 inches. Language: German. Text: Ernst August Buschmann.

After the Passions-Cantate ,,Ein Lammlein geht und tragt die Schuld of 1775, the Christmas Oratorio is the second major vocal work by Homilius to appear in print during his lifetime. With an unusually large instrumental contingent, Homilius set the, at that time, much beloved pastoral theme of the shepherds in a most sophisticated manner. Each movement presents a clearly differentiated, atmospheric scene, distinct from all the other movements. This applies to the varied pastoral music, as well as to the representation of the mighty God by an angel, whose entrance is accompanied by trumpets and timpani.