23151375
Lauda Jerusalem
23151375
23151375
23151375
Copyright Material for Preview Only - Sheet Music Plus
Basso continuo - intermediate
SKU: CA.4002418
Composed by Antonio Vivaldi. Edited by Uwe Wolf. Individual part, choir 2. Carus Verlag #CV 40.024/18. Published by Carus Verlag (CA.4002418).
ISBN 9790007355487. 9 x 12 inches.
Psalm 147 "Lauda Jerusalem" features prominently in the liturgical year, including in vespers on Marian feasts. Antonio Vivaldi’s only setting of this vesper psalm is rather unusual in being written for double choir, each accompanied by an instrumental choir of strings and basso continuo. Unlike many of his other psalm settings, this work is not divided into several movements. Solo and tutti sections are juxtaposed, with the composer employing a kind of ritornello structure to maintain the musical unity. Vivaldi’s students at Venice’s "Ospedale della Pietà" performed the work in the 1730s. The autograph score shows that the solo passages were performed by two singers, probably for pedagogical reasons. Even today, these solo parts can be assigned to one or more good choral sopranos.
Coro I: Solo S, Coro SATB, 2 Vl, Va, Bc
Coro II: Solo S, Coro SATB, 2 Vl, Va, Bc.
Basso continuo - intermediate
SKU: CA.4002418
Composed by Antonio Vivaldi. Edited by Uwe Wolf. Individual part, choir 2. Carus Verlag #CV 40.024/18. Published by Carus Verlag (CA.4002418).
ISBN 9790007355487. 9 x 12 inches.
Psalm 147 "Lauda Jerusalem" features prominently in the liturgical year, including in vespers on Marian feasts. Antonio Vivaldi’s only setting of this vesper psalm is rather unusual in being written for double choir, each accompanied by an instrumental choir of strings and basso continuo. Unlike many of his other psalm settings, this work is not divided into several movements. Solo and tutti sections are juxtaposed, with the composer employing a kind of ritornello structure to maintain the musical unity. Vivaldi’s students at Venice’s "Ospedale della Pietà" performed the work in the 1730s. The autograph score shows that the solo passages were performed by two singers, probably for pedagogical reasons. Even today, these solo parts can be assigned to one or more good choral sopranos.
Coro I: Solo S, Coro SATB, 2 Vl, Va, Bc
Coro II: Solo S, Coro SATB, 2 Vl, Va, Bc.
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