21309847
Credo in G major
21309847
21309847
21309847
Copyright Material for Preview Only - Sheet Music Plus
Organ
SKU: CA.4000949
Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Organ. Sacred vocal music, Mass sections. Individual part. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/49. Published by Carus Verlag (CA.4000949).
ISBN 9790007248055. 9 x 12 inches. Language: Latin.
It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.
Organ
SKU: CA.4000949
Composed by Antonio Vivaldi. Edited by Gregory Pysh. Arranged by Andrea Tasler. Stuttgart Urtext Edition: Vivaldi-Archiv. Organ. Sacred vocal music, Mass sections. Individual part. RV 592. Duration 13 minutes. Carus Verlag #CV 40.009/49. Published by Carus Verlag (CA.4000949).
ISBN 9790007248055. 9 x 12 inches. Language: Latin.
It is often overlooked that Antonio Vivaldi was not only skilled at composing instrumental music, but that he also experimented with long-established forms of sacred vocal music with equal sensitivity and enjoyment. The publication of a critical edition of his less well-known Credo RV 592 makes one of these works available to a wider public. Credo - Credo - Credo; almost every musical section begins with this devout confession, thus breaking through the grammatical structure of a long-established text; perhaps this was an entirely personal confession of faith, not only of the red-haired priest (Il Prete Rosso), as Vivaldi was known, but also a reminder that despite a well-established structure, not everything is predestined. Score and part available separately - see item CA.4000900.
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