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18221809
Concerto for Trumpet and Band
18221809
18221809
18221809
Details
Concert Band - Grade 6
SKU: ML.011988080
Composed by Marie Jeanne van Appledorn. Arranged by R. Mark Rogers. Trumpet/Cornet/Flugel Horn Solo and Band/Solo Concerts. Solo and Band Series. Recorded on Festival a Kerkrade (ML.311013720). Full set. Duration 15 minutes, 10 secondes. Molenaar Edition #011988080. Published by Molenaar Edition (ML.011988080).De partij voor de solotrompet is beschikbaar voor Bb en C instrumenten. De Bb partij voorziet het gebruik van een Bb bugel in de tweede beweging, terwijl de C partij helemaal voor trompet bedoeld is en speciaal uitgegeven werd voor die spelers die de C- trompet verkiezen.Toch verkiest de componist het gebruik van de Bb bugel zoals aangegeven bij het begin van de tweede beweging en verder uitsluitend waar het aangeduid staat in de tweede beweging. Daarom kan de solopartij op één vvan de volgende manieren uitgevoerd worden: 1) op een Bb trompet en een Bb bugel, overeenkomstig de oorspronkelijke bedoeling van de componist; 2) helemaal op Bb trompet; of 3) helemaal op C trompet.
Dedicated to Robert Mayes and Richard E. Tolley. The part for solo trumpet is delivered in B-flat ánd C. The B-flat part incorporates the use of B-flat Fl: ugelhorn in the second movement, but the C part is entirely for trumpet in C for the convenience of those players who prefer the C instrument. The composer, however, prefers the use of the B-flat flügelhorn as marked at the beginning of the second movement and where marked thereafter in the second movement only. Therefore, the solo part may be played in any one of the following ways: 1) on B-flat trumpet and B-flat flügelhorn, in accordance with the composer’s original intentions; 2; entirely on B-flat trumpet; or 3) entirely on C trumpet
Dedicated to Robert Mayes and Richard E. Tolley.The part for solo trumpet is delivered in B-flat ánd C. The B-flat part incorporates the use of B-flat Fl:ugelhorn in the second movement, but the C part is entirely for trumpet in C for the convenience of those players who prefer the C instrument.The composer, however, prefers the use of the B-flat flügelhorn as marked at the beginning of the second movement and where marked thereafter in the second movement only.Therefore, the solo part may be played in any one of the following ways: 1) on B-flat trumpet and B-flat flügelhorn, in accordance with the composer’s original intentions; 2; entirely on B-flat trumpet; or 3) entirely on C trumpet
Dedicated to Robert Mayes and Richard E. Tolley.The part for solo trumpet is delivered in B-flat ánd C. The B-flat part incorporates the use of B-flat Fl:ugelhorn in the second movement, but the C part is entirely for trumpet in C for the convenience of those players who prefer the C instrument.The composer, however, prefers the use of the B-flat flügelhorn as marked at the beginning of the second movement and where marked thereafter in the second movement only.Therefore, the solo part may be played in any one of the following ways: 1) on B-flat trumpet and B-flat flügelhorn, in accordance with the composer’s original intentions; 2; entirely on B-flat trumpet; or 3) entirely on C trumpet
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