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Motette. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Carus plus: Übehilfen, nur intern. Innovative practice aids, Sacred vocal music, Motets, Mourning, death. Choral score. BWV 229. 24 pages. Duration 9 minutes. Carus Verlag #CV 31.229/06. Published by Carus Verlag (CA.3122906).
ISBN 9790007165413. 8.27 x 11.69 inches. Key: G minor. Text language: German/English.
In 1684 Johann Schelle, the Kantor of St. Thomas’s, set to music Komm, Jesu, komm, a five-part choral aria written by Paul Thymich for the funeral of the Rector of St. Thomas’s (Carus 1.036). Almost 50 years later, Schelle’s successor-but-one Johann Sebastian Bach drew on this text and used the 1st and 11th verses for his double-choir funeral motet of the same name. But Bach only set the first verse of Thymich’s text for double choir; he set the last verse in the form of a choral aria. The motet was given the nickname "Der saure Weg" by the choirboys of St. Thomas’s because of its particularly distinctive and tricky passage in the first movement.
Motette. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Carus plus: Übehilfen, nur intern. Innovative practice aids, Sacred vocal music, Motets, Mourning, death. Choral score. BWV 229. 24 pages. Duration 9 minutes. Carus Verlag #CV 31.229/06. Published by Carus Verlag (CA.3122906).
ISBN 9790007165413. 8.27 x 11.69 inches. Key: G minor. Text language: German/English.
In 1684 Johann Schelle, the Kantor of St. Thomas’s, set to music Komm, Jesu, komm, a five-part choral aria written by Paul Thymich for the funeral of the Rector of St. Thomas’s (Carus 1.036). Almost 50 years later, Schelle’s successor-but-one Johann Sebastian Bach drew on this text and used the 1st and 11th verses for his double-choir funeral motet of the same name. But Bach only set the first verse of Thymich’s text for double choir; he set the last verse in the form of a choral aria. The motet was given the nickname "Der saure Weg" by the choirboys of St. Thomas’s because of its particularly distinctive and tricky passage in the first movement.
Preview: Come, Jesu, come
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