Composed by Georges Bizet. Full Orchestra. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A132001. Published by LudwigMasters Publications (AP.36-A132001).
ISBN 9798898100872. UPC: 605258541390. English.
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the Habanera and Toreador Song among the best known of all opera arias. The three ENTRACTES which introduce Acts II, III, and IV, presenting several well-known themes appearing in the opera, are here compiled for this Kalmus edition. Instrumentation: 2(2nd d.Picc).2(2nd d.EH).2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9.8.7.6.5 in set). Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Composed by Georges Bizet. Full Orchestra. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A132001. Published by LudwigMasters Publications (AP.36-A132001).
ISBN 9798898100872. UPC: 605258541390. English.
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the Habanera and Toreador Song among the best known of all opera arias. The three ENTRACTES which introduce Acts II, III, and IV, presenting several well-known themes appearing in the opera, are here compiled for this Kalmus edition. Instrumentation: 2(2nd d.Picc).2(2nd d.EH).2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9.8.7.6.5 in set). Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Preview: Carmen: Entractes (II, III and IV)
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