Fur Klavier zu vier Handen. Composed by Erik Satie. Edited by Jens Rosteck. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score. Baerenreiter Verlag #BA10809. Published by Baerenreiter Verlag (BA.BA10809).
ISBN 9790006541188. 12.2 x 9.57 inches. Language: German/English. Preface: Jens Rosteck.
In 1903, Satie composed his famous cycle for piano duet with the provocative and ambiguous title “3 Morceaux en forme de Poire”. (In French, “poire” means “pear” but also “dimwit”). It is a detached and ironic commentary on the constraints of musical form. Now this cycle is being published in a scholarly-critical Urtext edition for the first time. Convenient page turns, a score format, translations of the French expression and tempo markings, Satie’s enigmatic introduction, performance suggestions by the Satie specialist Steffen Schleiermacher and a detailed foreword by the renowned musicologist Jens Rosteck make the study and performance of these pieces a true pleasure.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Fur Klavier zu vier Handen. Composed by Erik Satie. Edited by Jens Rosteck. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score. Baerenreiter Verlag #BA10809. Published by Baerenreiter Verlag (BA.BA10809).
ISBN 9790006541188. 12.2 x 9.57 inches. Language: German/English. Preface: Jens Rosteck.
In 1903, Satie composed his famous cycle for piano duet with the provocative and ambiguous title “3 Morceaux en forme de Poire”. (In French, “poire” means “pear” but also “dimwit”). It is a detached and ironic commentary on the constraints of musical form. Now this cycle is being published in a scholarly-critical Urtext edition for the first time. Convenient page turns, a score format, translations of the French expression and tempo markings, Satie’s enigmatic introduction, performance suggestions by the Satie specialist Steffen Schleiermacher and a detailed foreword by the renowned musicologist Jens Rosteck make the study and performance of these pieces a true pleasure.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: 3 Morceaux en forme de Poire for Piano Duet
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