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  • VIVALDI Antonio: Al tribunal d'amore, an aria from the opera
  • VIVALDI Antonio: Al tribunal d'amore, an aria from the opera
  • VIVALDI Antonio: Al tribunal d'amore, an aria from the opera

VIVALDI Antonio: Al tribunal d'amore, an aria from the opera "Il Farnace", arranged for Voice and Pi SSA - Digital Sheet Music

Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

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Details

Instrument:
Choir Voice Solo
Ensembles:
SSA 3-Part
Genres:
Opera Baroque Period Standards
Publishers:
Really Good Music, LLC.
Series:
ArrangeMe
Format:
Octavo
Item types:
Digital
Instructionals:
Methods and More
Level:
Late Intermediate
Musical forms:
Aria
Usages:
School and Community
Number of Pages:
6

Choral Choir (SSA) - Level 4 - Digital Download

SKU: A0.868956

Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Octavo. 6 pages. Really Good Music, LLC. #5309911. Published by Really Good Music, LLC. (A0.868956).

Al tribunal d'amore is a mezzo-soprano aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the score manuscript of the late version of Il Farnace from 1738. The music of the aria was largely borrowed by composer from the aria of the same title from his earlier opera L’Atenaide (1729); its score manuscript is written in in E flat major and contains significant textural and rhythmic differences (e. g., common time signature) from the late version of Il Farnace. The aria may be an invaluable addition to the repertoire of vocal teachers and students.

It is available in the key of E major (E4 – E5) for low voice.

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ArrangeMe:
Really Good Music, LLC.
Series:
ArrangeMe
Instrument:
Vocal Choir Vocal Voice Voice Solo
Ensemble:
SSA 3-Part
Publisher:
Really Good Music, LLC.