Variations on "Mein junges Leben hat ein End" for Concert Band by Jan Pieterszoon Sweelinck Concert Band - Sheet Music

By Jan Pieterszoon Sweelinck

Jan Pieterszoon Sweelinck - Variations on "Mein junges Leben hat ein End" for Concert Band, arranged by Ramon L. Ricker. Jan Pieterszoon Sweelinck, informally known during his lifetime as the "Orpheus of Amsterdam," might be considered one of the great masters of keyboard development pre-J.S. Bach. A deep understanding of contrapuntal writing, grown from the composition of more than 250 works for voices, underscore Sweelinck's keyboard innovations: the developed fugue, the organ pedal as a full fugal voice, the level of variation form reached, and the new levels or richly contrapuntal keyboard writing that incorporated various styles and ornamentations of the day.

Print edition
$54.00
$75.00
You save: $21.00 ~ 28%

WELCOME20 activated

Ships in 1 to 2 weeks
Special order item, ships once received from publisher.
Quantity
1
Get a 10% discount with SMP Plus subscription

Details

Ensembles:
Concert Band
Genres:
Baroque Period Renaissance
Composers:
Jan Pieterszoon Sweelinck
Publishers:
Alry Publications
ISBN:
9790302120162
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Musical forms:
Variations
Artist:
Jan Pieterszoon Sweelinck
Arrangers:
Ramon Ricker
Usages:
School and Community
Shipping Weight:
0.34 pounds

Wind Ensemble

SKU: AY.WE111

Composed by Jan Pieterszoon Sweelinck. Arranged by Ramon Ricker. Ensembles - Wind Band. Score and parts. Alry Publications #WE111. Published by Alry Publications (AY.WE111).

ISBN 9790302120162.

Jan Pieterszoon Sweelinck - Variations on "Mein junges Leben hat ein End" for Concert Band, arranged by Ramon L. Ricker. Jan Pieterszoon Sweelinck, informally known during his lifetime as the "Orpheus of Amsterdam," might be considered one of the great masters of keyboard development pre-J.S. Bach. A deep understanding of contrapuntal writing, grown from the composition of more than 250 works for voices, underscore Sweelinck's keyboard innovations: the developed fugue, the organ pedal as a full fugal voice, the level of variation form reached, and the new levels or richly contrapuntal keyboard writing that incorporated various styles and ornamentations of the day.