Composed by Gabriel Faure. Edited by Jean-Pierre Bartoli. This edition: urtext edition. Stapled. Performance score. Opus 17. Baerenreiter Verlag #BA11852. Published by Baerenreiter Verlag (BA.BA11852).
ISBN 9790006575718. 12.2 x 9.57 inches. Preface: Bartoli, Jean-Pierre.
With this early cycle (1863/64), Faur follows in the footsteps of Mendelssohn's “Lieder ohne Worte” (Songs without Words) whilst at the same time enrolling into the French tradition of the “Romance sans paroles” as penned by composers such as Thalberg, Kalkbrenner, Gounod or Bizet before him. It was not until 1880 that the pieces, the first of his piano works, appeared in print during the same year as the Ballade op. 19. The numerous reprints, transcriptions and arrangements during Faur’s lifetime testify to the great popularity of these works, which are also well-suited for piano lessons.
This Urtext edition takes all available sources into account, including the recording by Faur himself and an early four-hand version of No. 3. It is based on the musical text of the “Œuvres complètes” of Gabriel Faur and also contains the first version for piano two-hands of the third “Romance sans paroles” in the appendix.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Gabriel Faure. Edited by Jean-Pierre Bartoli. This edition: urtext edition. Stapled. Performance score. Opus 17. Baerenreiter Verlag #BA11852. Published by Baerenreiter Verlag (BA.BA11852).
ISBN 9790006575718. 12.2 x 9.57 inches. Preface: Bartoli, Jean-Pierre.
With this early cycle (1863/64), Faur follows in the footsteps of Mendelssohn's “Lieder ohne Worte” (Songs without Words) whilst at the same time enrolling into the French tradition of the “Romance sans paroles” as penned by composers such as Thalberg, Kalkbrenner, Gounod or Bizet before him. It was not until 1880 that the pieces, the first of his piano works, appeared in print during the same year as the Ballade op. 19. The numerous reprints, transcriptions and arrangements during Faur’s lifetime testify to the great popularity of these works, which are also well-suited for piano lessons.
This Urtext edition takes all available sources into account, including the recording by Faur himself and an early four-hand version of No. 3. It is based on the musical text of the “Œuvres complètes” of Gabriel Faur and also contains the first version for piano two-hands of the third “Romance sans paroles” in the appendix.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Trois Romances sans paroles for Piano, op. 17 N 52
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