Tora Tora Tora - Score Only by Jerry Goldsmith Full Orchestra - Digital Sheet Music

By Jerry Goldsmith

1970 was a very big year for composer Jerry Goldsmith: amazingly, in addition to Tora! Tora! Tora! and Patton, he also scored The Ballad of Cable Hogue, The Travelling Executioner and Rio Lobo, throwing a couple of TV movies in for good measure. All in a day’s work for this extraordinary maestro, who had already proven his mettle writing music for films akin to Tora! in both genre and theme: In Harm’s Way (1965), The Blue Max (1966) and The Sand Pebbles (1966) are all incisive studies of war and its attendant damage, scored with a combination of disturbing dissonance and sheer splendour.The Main Title opens with a descending whine suggesting the deadly dive of a bomber. This instant summing-up of the horrors to come, bizarrely disorientating, segues into a spare and elegant Japanese-style motif initiated by the koto, gradually taken up by the ominous sound of the serpent, and eventually joined by the full orchestra, deployed for maximum exoticism - and threat. The conspicuous absence of violins from the score was apparently the result of a challenge from Goldsmith’s friend and fellow composer Alex North. The staggered rhythmic movement heard in the main title is a technique used to represent the concept of miscommunication in the film.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

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Details

Ensembles:
Full Orchestra
Genres:
TV Movies
Composers:
Jerry Goldsmith
Publishers:
Chris Siddall Music Publishing
Series:
ArrangeMe
Format:
Score
Item types:
Digital
Level:
Late Intermediate
Artist:
Jerry Goldsmith
Usages:
School and Community
Number of Pages:
11

Full Orchestra - Level 4 - Digital Download

SKU: A0.1801663

Composed by Jerry Goldsmith. Arranged by Chris Siddall. This edition: pdf, streaming. Film/TV. Full Orchestra. 11 pages. Chris Siddall Music Publishing #1361843. Published by Chris Siddall Music Publishing (A0.1801663).

1970 was a very big year for composer Jerry Goldsmith: amazingly, in addition to Tora! Tora! Tora! and Patton, he also scored The Ballad of Cable Hogue, The Travelling Executioner and Rio Lobo, throwing a couple of TV movies in for good measure. All in a day’s work for this extraordinary maestro, who had already proven his mettle writing music for films akin to Tora! in both genre and theme: In Harm’s Way (1965), The Blue Max (1966) and The Sand Pebbles (1966) are all incisive studies of war and its attendant damage, scored with a combination of disturbing dissonance and sheer splendour.
The Main Title opens with a descending whine suggesting the deadly dive of a bomber. This instant summing-up of the horrors to come, bizarrely disorientating, segues into a spare and elegant Japanese-style motif initiated by the koto, gradually taken up by the ominous sound of the serpent, and eventually joined by the full orchestra, deployed for maximum exoticism - and threat. The conspicuous absence of violins from the score was apparently the result of a challenge from Goldsmith’s friend and fellow composer Alex North. The staggered rhythmic movement heard in the main title is a technique used to represent the concept of miscommunication in the film.

Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!

About ArrangeMe

This product was created by a member of ArrangeMe, Hal Leonard's self-publishing community for independent composers, arrangers, and songwriters. Discover unique arrangements of popular titles and original compositions from diverse creators. The length, difficulty, and pricing are determined by the arranger or composer.

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