18458278
Three sonatas for harpsichord or fortepiano, Opus I. Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2.
18458278
18458278
Three sonatas for harpsichord or fortepiano, Opus I. Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2. Violin Solo scores gallery preview page 1
Three sonatas for harpsichord or fortepiano, Opus I. Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2. Violin Solo scores gallery preview page 2
Three sonatas for harpsichord or fortepiano, Opus I. Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2. Violin Solo - Sheet Music
Three sonatas for harpsichord or fortepiano, Opus I. Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2. Violin Solo - Sheet Music page 2

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Three sonatas for harpsichord or fortepiano, Opus I. Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2. Violin Solo - Sheet Music

Harpsichord, Fortepiano, Violin

SKU: FZ.1279

Composed by Etienne Nicolas Mehul. Edited by Joel Pontet. This edition: Facsimile. Collection Dominantes. Chamber Music. Anne Fuzeau Productions - France #1279. Published by Anne Fuzeau Productions - France (FZ.1279).

ISBN 9790230612791. 24.00 x 33.00 cm inches.

This facsimile of an original by Etienne-Nicolas Mehul is part of our Dominantes collection. Three sonatas for harpsichord or fortepiano, Opus I - Edition : Paris, Jouve, s. d. (=1783). Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2 - Editions : Paris, Le Duc, s. d. (=1788). Two volumes: piano part of opus I and II - preface and violin part of opus II. Preface by Joel Pontet: The keyboard sonatas of E. N. Mehul - a precocious talent - remarks on performance (choice of instrument and indications of nuances - articulations - ornaments). The preface sets out the essential points for performance of these youthful works. Editions originales of 1783 and 1788, preserved at the library national of Paris. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.