First violin, second violin, viola, cello, double bass (1. Violin, 2. Violin, Viola, Violoncello, Double bass) - Level 3
SKU: BA.BA09577
Composed by Antonin Dvorak. Edited by František Bartoš; Antonin Pokorny. In a folder. Replaces H 2591. Set of parts. Opus 77. 11/11/11/12/11 pages. Baerenreiter Verlag #BA09577. Published by Baerenreiter Verlag (BA.BA09577).
ISBN 9790260107199. 12.2 x 9.57 inches. Key: G major.
Dvorák’s “String Quintet in G major” op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the “Intermezzo” from his “String Quartet in E minor” (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate “Notturno” for string orchestra op. 40. The “Intermezzo” is included in its original version in the appendix of the score.
This edition is based on the “Complete Edition of the Works of Antonín Dvorák”, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.
First violin, second violin, viola, cello, double bass (1. Violin, 2. Violin, Viola, Violoncello, Double bass) - Level 3
SKU: BA.BA09577
Composed by Antonin Dvorak. Edited by František Bartoš; Antonin Pokorny. In a folder. Replaces H 2591. Set of parts. Opus 77. 11/11/11/12/11 pages. Baerenreiter Verlag #BA09577. Published by Baerenreiter Verlag (BA.BA09577).
ISBN 9790260107199. 12.2 x 9.57 inches. Key: G major.
Dvorák’s “String Quintet in G major” op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the “Intermezzo” from his “String Quartet in E minor” (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate “Notturno” for string orchestra op. 40. The “Intermezzo” is included in its original version in the appendix of the score.
This edition is based on the “Complete Edition of the Works of Antonín Dvorák”, the principal source being the first edition of 1888, for which Dvorák subjected the work to revision.
Preview: String Quintet G major op. 77
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