6127412
String Quartet No. 3
6127412
6127412
6127412
Copyright Material for Preview Only - Sheet Music Plus
String Quartet (Study Score) - intermediate to advanced
SKU: HL.49030428
Study Score. Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. Edition Schott. Commissioned by the Lyric Quartet with funds made available by the Arts Council of England, South West Arts and the Britten-Pears Foundation. Classical. Score. Composed 1998. 26 pages. Duration 21'. Schott Music #ED12617. Published by Schott Music (HL.49030428).
ISBN 9790220119415. UPC: 884088053529. 7.5x10.75x0.143 inches.
'Apart from the ten 5-minute string quartets that I wrote in 1992 as theoriginal version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which finds its way into the quartet comes from my work with groups from the world of early music, particularly from the experience of writing for a consort of viols . In several places I ask for little or no vibrato from the strings, occasionally preferring open strings and natural harmonics to stopped notes.'.
String Quartet (Study Score) - intermediate to advanced
SKU: HL.49030428
Study Score. Composed by Gavin Bryars. This edition: Saddle stitching. Sheet music. Edition Schott. Commissioned by the Lyric Quartet with funds made available by the Arts Council of England, South West Arts and the Britten-Pears Foundation. Classical. Score. Composed 1998. 26 pages. Duration 21'. Schott Music #ED12617. Published by Schott Music (HL.49030428).
ISBN 9790220119415. UPC: 884088053529. 7.5x10.75x0.143 inches.
'Apart from the ten 5-minute string quartets that I wrote in 1992 as theoriginal version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which finds its way into the quartet comes from my work with groups from the world of early music, particularly from the experience of writing for a consort of viols . In several places I ask for little or no vibrato from the strings, occasionally preferring open strings and natural harmonics to stopped notes.'.
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