19192198
Stillness: Poem
19192198
19192198
19192198
Copyright Material for Preview Only - Sheet Music Plus
Orchestra (2(1).2(1).2(1).2 - 4.2.3.1 - percussion, harp; strings)
SKU: SU.95010330
For Orchestra. Composed by Judith Lang Zaimont. Orchestra. Study Score. Composed 2005. Duration 19'30. Subito Music Corporation #95010330. Published by Subito Music Corporation (SU.95010330).
Instrumentation: 2(1) 2(1) 2(1) 2; 4231; perc, hp; stgs Duration: 19'30 Full Score & Parts: available on rental Composed: 2005 Published by: Subito Music Publishing Composer's Note: While much of my music is energetic, with dance rhythms at its core, I have long wished to explore a more contemplative, large-framed piece that would do two things simultaneously: exploit the color resource of a standrd-size orchestra *and* meld together the compositional ways of achieving stasis -- while yet retaining strong listener interest -- using techniques of two composers whose music I find highly intriguing: Morton Feldman and Frederick Delius. So the springboard for this poem stems from exploring the differing manners in which each of these two composers (plus perhaps one or two others) manage proportion and 'dwell'. -- Judith Lang Zaimont.
Orchestra (2(1).2(1).2(1).2 - 4.2.3.1 - percussion, harp; strings)
SKU: SU.95010330
For Orchestra. Composed by Judith Lang Zaimont. Orchestra. Study Score. Composed 2005. Duration 19'30. Subito Music Corporation #95010330. Published by Subito Music Corporation (SU.95010330).
Instrumentation: 2(1) 2(1) 2(1) 2; 4231; perc, hp; stgs Duration: 19'30 Full Score & Parts: available on rental Composed: 2005 Published by: Subito Music Publishing Composer's Note: While much of my music is energetic, with dance rhythms at its core, I have long wished to explore a more contemplative, large-framed piece that would do two things simultaneously: exploit the color resource of a standrd-size orchestra *and* meld together the compositional ways of achieving stasis -- while yet retaining strong listener interest -- using techniques of two composers whose music I find highly intriguing: Morton Feldman and Frederick Delius. So the springboard for this poem stems from exploring the differing manners in which each of these two composers (plus perhaps one or two others) manage proportion and 'dwell'. -- Judith Lang Zaimont.
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