20935015
Songs of Imagined Love
20935015
20935015
20935015
Copyright Material for Preview Only - Sheet Music Plus
Tenor voice and piano - advanced to difficult
SKU: HL.49046011
For Tenor and Piano. Composed by Han Lash. This edition: Saddle stitching. Sheet music. Edition Schott. Neues Werk fur Tenor und Klavier fur Paul Appleby in der Carnegie Hall. Softcover. 20 pages. Duration 16'. Schott Music #ED 30278. Published by Schott Music (HL.49046011).
ISBN 9781540036759. UPC: 888680832070. 9.0x12.0x0.181 inches. English.
Songs of Imagined Love sets texts I wrote inspired by some of the poems of Ludwig Rellstab, which Franz Schubert sets in his Schwanengesang. While my piece does not represent a direct relationship to Schubert, I found inspiration in Schubert's eloquent reading and interpretation of text through his music.In setting my own texts, I was interested in approaching the intersection of music and language as an equal-partnering dance between the two. The texts are often abstract, suggesting rather than narrating. I play with musical clarity by constantly shifting the harmonic meanings within my music, creating a network of relationships from which I can draw and through which I can draw multiple possible pathways. Hannah Lash.
Tenor voice and piano - advanced to difficult
SKU: HL.49046011
For Tenor and Piano. Composed by Han Lash. This edition: Saddle stitching. Sheet music. Edition Schott. Neues Werk fur Tenor und Klavier fur Paul Appleby in der Carnegie Hall. Softcover. 20 pages. Duration 16'. Schott Music #ED 30278. Published by Schott Music (HL.49046011).
ISBN 9781540036759. UPC: 888680832070. 9.0x12.0x0.181 inches. English.
Songs of Imagined Love sets texts I wrote inspired by some of the poems of Ludwig Rellstab, which Franz Schubert sets in his Schwanengesang. While my piece does not represent a direct relationship to Schubert, I found inspiration in Schubert's eloquent reading and interpretation of text through his music.In setting my own texts, I was interested in approaching the intersection of music and language as an equal-partnering dance between the two. The texts are often abstract, suggesting rather than narrating. I play with musical clarity by constantly shifting the harmonic meanings within my music, creating a network of relationships from which I can draw and through which I can draw multiple possible pathways. Hannah Lash.
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