Edition de 1611. Composed by John Baston. Edited by Suzi Mohlmeier, Frederique Thouvenot. This edition: Facsimile. Collection Dominantes. Score. Anne Fuzeau Productions - France #5371. Published by Anne Fuzeau Productions - France (FZ.5371).
ISBN 9790230653718. 24.00 x 33.00 cm inches.
This facsimile of an original by John Baston is part of our Dominantes collection. Six concertos in six parts for violins and flutes viz. A fifth, sixth and consort flute. Edition: London, Walsh, undated (=1729). Presentation by Susi Mohlmeier and Frederique Thouvenot: Choice of works specifically written for the recorder - recorder making in Europe from 1650 to 1750 - comprehension of the score (articulation, dynamics, ornamentation, rhythm, general notation, suggestions).
Publication in separate parts: fluto (a consort flute: concertos I, III - a fifth flute: VI - a sixth flute: II, IV, V) - violino primo - violino secondo - violino primo repiano (ripieno) - tenore (alto) - basso continuo. Consort flute: alto recorder in F. Fifth flute: soprano recorder in C. Sixth flute: soprano recorder in D. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
Edition de 1611. Composed by John Baston. Edited by Suzi Mohlmeier, Frederique Thouvenot. This edition: Facsimile. Collection Dominantes. Score. Anne Fuzeau Productions - France #5371. Published by Anne Fuzeau Productions - France (FZ.5371).
ISBN 9790230653718. 24.00 x 33.00 cm inches.
This facsimile of an original by John Baston is part of our Dominantes collection. Six concertos in six parts for violins and flutes viz. A fifth, sixth and consort flute. Edition: London, Walsh, undated (=1729). Presentation by Susi Mohlmeier and Frederique Thouvenot: Choice of works specifically written for the recorder - recorder making in Europe from 1650 to 1750 - comprehension of the score (articulation, dynamics, ornamentation, rhythm, general notation, suggestions).
Publication in separate parts: fluto (a consort flute: concertos I, III - a fifth flute: VI - a sixth flute: II, IV, V) - violino primo - violino secondo - violino primo repiano (ripieno) - tenore (alto) - basso continuo. Consort flute: alto recorder in F. Fifth flute: soprano recorder in C. Sixth flute: soprano recorder in D. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
Preview: Six concertos (1729) in six parts for violins and flutes (1611)
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