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See now, what kind of love this is by Johann Sebastian Bach 4-Part - Sheet Music

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See now, what kind of love this is Cantata for the 3rd day of Christmas by Johann Sebastian Bach 4-Part - Sheet Music

Name: See now, what kind of love this is
SKU: CA.3106403
Price: 13.95 USD
Availability: InStock
Author: Johann Sebastian Bach
ISBN: 9790007043766

By Johann Sebastian Bach

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Details

Instrument:

Voice Basso Continuo

Ensembles:

4-Part SATB 3-Part SAB Mixed Choir

Genres:

Christian Christmas Baroque Period

Composers:

Johann Sebastian Bach

Publishers:

Carus Verlag

ISBN:

9790007043766

Format:

Vocal Score

Item types:

Physical

Musical forms:

Cantata

Artist:

Johann Sebastian Bach

Arrangers:

Paul Horn

Usages:

Christmas

Main Key:

E minor

Size:

7.5 x 10.67 inches

Number of Pages:

36

Shipping Weight:

0.33 pounds

Detailed Description

SAB vocal soli, SATB choir, [cornet, 3 trombones], 2 violins, viola, basso continuo (Soli SAB, Coro SATB, Obda, Ctto, 3 Trb, 2 Vl, Va, Bc) - Grade 3

SKU: CA.3106403

Cantata for the 3rd day of Christmas. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Sehet, welch eine Liebe. Sacred vocal music, Cantatas, Christmas. Vocal score. Composed 1723. BWV 64. 36 pages. Duration 24 minutes. Carus Verlag #CV 31.064/03. Published by Carus Verlag (CA.3106403).

ISBN 9790007043766. 7.5 x 10.67 inches. Key: E minor. Language: German/English. Text: Johann Oswald Knauer.

The cantata Sehet, welch eine Liebe (See what love), BWV 64, composed for the 3rd day of Christmas in 1723, opens with a chorus in the "old style", namely without obbligato instruments. As in the cantata Darzu ist erschienen der Sohn Gottes (For this the Son of God has appeared), BWV 40, performed the day before, this work features no fewer than three chorale movements, two of which frame the first recitative "Geh Welt! behalte nur das Deine". Since the two chorales do not appear in Oswald Knauer’s original text from 1720, it can be assumed that Bach deliberately wished to mirror the previous day’s cantata with its internal chorales. Here, however, the festive horns of BWV 40 are replaced by an antiquated ensemble of cornett (zink) and trombones, which, along with the wind accompaniment to the chorales and the stile antico of the opening movement, make for an unusual and diverting soundscape.