Rubinstein - Romance Op44 No1 - Clarinet, Cello & Piano by Anton Rubinstein Clarinet - Digital Sheet Music

By Anton Rubinstein

Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).

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Details

Format:
Set of Parts Score and Parts
Item types:
Digital
Level:
Late Intermediate
Artist:
Anton Rubinstein
Usages:
School and Community
Number of Pages:
10

Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download

SKU: A0.824150

Composed by Anton Rubinstein. Arranged by Tim TK Murray. Concert,Romantic Period,Standards. Score and parts. 10 pages. TK (Tim) Murray #6358187. Published by TK (Tim) Murray (A0.824150).

Rubinstein's Romance is deservedly one of his most famous pieces. It is everything a romantic work should be - beautiful, lyrical, passionate and dramatic. These characteristics are intensified by arranging it for Clarinet, Cello & Piano and make it an ideal interlude in a concert programme.

Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).

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