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Poeme
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Copyright Material for Preview Only - Sheet Music Plus
Piano Accompaniment; Violin (Violin/Piano)
SKU: HL.978471
For Violin and Piano. Composed by Ernest Chausson. Arranged by Endre Granat. LKM Music. Classical. Softcover. 23 pages. Lauren Keiser Music Publishing #S511047. Published by Lauren Keiser Music Publishing (HL.978471).
ISBN 9781638875994. UPC: 196288090915. 9.0x12.0x0.194 inches.
When the great Belgian violin virtuoso Eugène Ysaÿe tried to commission a violin concerto, Chausson declined and suggested a one movement work, Poème, Op 25. (1896). The premiere took place at the Conservatoire of Nancy in 1896 with Ysaÿe as soloist. The first Paris performance (1897) was a huge success for the composer who was yet relatively unknown. Chausson wrote three versions of the Poème: with orchestra, with piano accompaniment, and a version with piano and string quartet, the same setting as his Concerto in D for piano, violin, and string quartet, Op. 21 (1892). The violin parts are identical in all three versions. Ysaÿe's helping hand in writing a most violinistic solo part is noticeable throughout the composition.
Piano Accompaniment; Violin (Violin/Piano)
SKU: HL.978471
For Violin and Piano. Composed by Ernest Chausson. Arranged by Endre Granat. LKM Music. Classical. Softcover. 23 pages. Lauren Keiser Music Publishing #S511047. Published by Lauren Keiser Music Publishing (HL.978471).
ISBN 9781638875994. UPC: 196288090915. 9.0x12.0x0.194 inches.
When the great Belgian violin virtuoso Eugène Ysaÿe tried to commission a violin concerto, Chausson declined and suggested a one movement work, Poème, Op 25. (1896). The premiere took place at the Conservatoire of Nancy in 1896 with Ysaÿe as soloist. The first Paris performance (1897) was a huge success for the composer who was yet relatively unknown. Chausson wrote three versions of the Poème: with orchestra, with piano accompaniment, and a version with piano and string quartet, the same setting as his Concerto in D for piano, violin, and string quartet, Op. 21 (1892). The violin parts are identical in all three versions. Ysaÿe's helping hand in writing a most violinistic solo part is noticeable throughout the composition.
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